Oh well, this will wreck our Google search result listings – what possessed them to use the terms “americana” and “UK” in the same headline? Billboard has an article today entitled “U.K. Americana Hits America, and Vice Versa, In New Roots Exchange” which is an incredibly interestingyou read about our symbiotic relationship with the genre over in the States, selling snow to the Eskimos as it were. They report: “The idea of U.K. artists playing Americana, not just at home but in the U.S. itself, might once have seemed hopelessly ambitious. But as the genre, and the reception of it, has expanded into an ever-broader church, British acts are not only nudging doors ajar, but the two countries are enjoying something of a cultural Americana exchange — to the benefit of roots musicians on both sides of the Atlantic. Continue reading “Billboard: Americana in the UK is a thing”
A chance encounter with the track Runaway Devil, an instantly addictive freewheelin’ guitar-led gem that literally jumped out of the speakers like some kind of flannelled maniac, led me to the London-based four-piece House Above The Sea. I soon discovered that this is a band that can both kick like a mule sonically yet charm your socks off with beautifully entwined dual vocals and a real poetic approach to songwriting. I really needed to investigate further. Five Hours North, their debut album, is out at the end of October so I took the chance to chat with the band about guitar tones, inspirations and their love of ‘alt-country’. Continue reading “Interview: House Above The Sun”
This week’s retro slot goes back to 2008 for a marvellous version of the Gram Parsons classic from Son Volt’s Jay Farrar. Have a good weekend everyone.
TDBoP are the most evocative of the bands working in the post-rock landscape; their music always conjures up images even before you have any idea of the concepts behind them. That’s due to the purpose behind the songs – it’s not music of escape or abandon, it is music rooted in ideas and concepts, so whether passages are sweeping and grand or intimate and scratchy they are always driven by something and it’s the vision of something that makes them so compelling. Continue reading “The Doomed Bird of Providence “Burrowed into the Soft Sky” (Front & Follow, 2017)”
Martha Tilston has released her rather lovely new single Green Moon which you can introduce your ears to below. Taken from her seventh album “Nomad” Tilston told us: ‘We are all a hair’s breadth away from feeling either part of, or outside of any experience or relationship. Do we stay forever outside looking in, never daring to reveal and leave ourselves vulnerable, or do we say “screw it, so you told my secrets to everyone, I will survive and I will trust again.”‘ Er, stay forever looking in? She hits the UK for some dates, which you can peruse as you listen below.
This is a debut album. It is a challenging album and a difficult album, but it is also an absolutely beautiful album. Kathryn Rose Wood, a singer/songwriter based in New Orleans, is also a clinical music therapist with the Louisiana Philharmonic Orchestra and therefore well aware of how powerful music can be in healing and improving well-being. It is poignant then, that the album is comprised of six songs that she wrote while grieving the suicide of her younger brother Preston and which chronicle the stages of grief. Continue reading “Kathryn Rose Wood “In The Ashes” (Independent 2017)”
You’ll doubtless recall that Green on Red’s Dan Stuart boldly sang “Time ain’t nothing / When you’re young at heart / And your soul still burns” with all the fervour of a young man. Add a few years to the tally and things, it seems, often take on more of the perspective embodied on Mary Lou Minor’s latest album. This offers a more mature view on the world, a world where a phrase from Dropped Stitches such as “in your own mind you’re feeling quite different / and in your own mind you’re still 39” makes sense. Continue reading “Mary Lou Minor Trio “Once Was a Time” (Independent, 2017)”