Mary Lou Minor Trio “Once Was a Time” (Independent, 2017)

You’ll doubtless recall that Green on Red’s Dan Stuart boldly sang “Time ain’t nothing / When you’re young at heart / And your soul still burns” with all the fervour of a young man. Add a few years to the tally and things, it seems, often take on more of the perspective embodied on Mary Lou Minor’s latest album. This offers a more mature view on the world, a world where a phrase from Dropped Stitches such as “in your own mind you’re feeling quite different / and in your own mind you’re still 39” makes sense. Continue reading “Mary Lou Minor Trio “Once Was a Time” (Independent, 2017)”

Glasgow Americana Festival, 4th – 8th October 2017

Now in its 11th year, Glasgow Americana brightened up the dark nights coming in as we prepare for winter. Over five days the festival provided a strong set of concerts which showcased some of the brightest talents from the Scottish roots scene along with the usual complement of visiting stars. Altogether over 20 acts appeared at several venues across the city with many of the shows selling out, the venues including converted churches, a brewery, tiny pub back rooms and, according to Michael Weston King of My Darling Clementine, a squash court. As often happens when such a lot of music is squeezed into such a tight time line there were clashes meaning your correspondent had to forego some shows however online comments and actual chat with those who had gone to those shows beamed back with positive smiles and thumbs up. There was a fine mix of standard gigs featuring a headliner along with a couple of portmanteau shows offering a range of acts playing shorter sets. Continue reading “Glasgow Americana Festival, 4th – 8th October 2017”

The Glass Mountains, Folk Modern – Upstairs at the Ritzy, Brixton, 5th October 2017

“If life were a hotel, then I’d be checking out right now,” sings young frontman Owen Davies. A little extreme for a 25 year old maybe, but All kinds of Trouble, written by one of the more senior members of the band, is delivered with credible sincerity by Davies. The Glass Mountains are slightly incongruous in this folk club atop the Brixton branch of the Picturehouse boutique cinema chain. It’s Americana-UK’s first trip to the club and I imagine that the band’s Stetsons and denim shirts are not de-rigueur for this monthly showcase. Continue reading “The Glass Mountains, Folk Modern – Upstairs at the Ritzy, Brixton, 5th October 2017”

Thunder and Rain “Start Believing” (Independent, 2017)

Thunder and Rain are a four piece from Golden, Colorado who describe their music as an exploration of rock and country music using bluegrass level acoustic musicianship. There are songs here, particularly those that highlight the mandolin of Pete Weber and the lap steel of Chris Herbst, where the music does indeed have a hint of bluegrass running through it but the overall feel of the album is more akin to country pop. Continue reading “Thunder and Rain “Start Believing” (Independent, 2017)”

Chris Stapleton announces “From A Room Vol 2”

Chris Stapleton is the marmite of artists for AUK writers but love his yeastiness or not, “From A Room: Volume 2” has been announced for release on December 1 by Mercury Records Nashville/Decca. The album takes its name from Nashville’s historic RCA Studio A (the capital “A” in “From A Room” – see what he did there?) where it was recorded over the last year with producer Dave Cobb. Along with Stapleton on vocals and guitar and Cobb on acoustic guitar, the album features Morgane Stapleton on harmony vocals as well as longtime band-members J.T. Cure on bass and Derek Mixon on drums. Continue reading “Chris Stapleton announces “From A Room Vol 2””