The Long Ryders are one of those truly seminal bands in americana and they’re back with their first new song in thirty years when the UK was feeling the worst excesses of Thatcherism and things felt very different to now… oh wait. Songwriter Tom Stevens says of it: “The message is complex. I wrote this song about a bear, a friendly one, approaching it like a children’s song. But what emerged under its surface was different. I likely had the state of politics on my mind. The bear in this song may not be the friendly, all-knowing guru that he appears. But in real life, it’s up to us to seek our best hopes and not our worst fears in our gurus. Lately I feel that too many have done the latter.” Yup, change is slow.
This has been an amazing project, we’ll miss it when it’s over for the time being at least. Consequence of Sound report: “We’re nearing the end of the ambitious Our First 100 Days project and, though the great orange beast is still in office, at least we can find respite in the onslaught of amazing new music and the charitable contributions made by this collaboration between the Secretly Group and 30 Songs, 30 Days. As a reminder, a donation of $30 to the project gets you downloads of all 100 songs and will directly benefit issues affected by Trump’s presidency, including climate change, reproductive rights, immigration, and more. Get more info here. Day 90’s contribution belongs to Okkervil River, who on “Denomination Blues” sing of religious hypocrisy in the age of Trump. “The follower follows whoever’s in front,” Will Sheff sings, “He’s weak and he’s hollow and his edge is blunt / He’s small / I bet he feels pretty tall.” Like the best Okkervil River songs, the rollicking track shambles along on rhythmic acoustic strums, jaunty piano plinks, and urgent percussion. Stream it below.”
‘Save Yourself’ is the debut single from Ferris & Sylvester (Ferris is no relation to Tweety Pie), and it’s a bittersweet love song, with some haunting harmonies and delicate guitars, recorded in Youth’s Space Mountain Studios in Spain. They will be touring Ireland this month in support of Ánie Cahill. The pair also have a number of London shows booked throughout April and May. You can find their full tour dates here.
Sam Outlaw, who released his sophomore album “Tenderheart” on Friday last week (it was a good Friday for him) has announced some UK dates for July where you can sample his wares in person. The reviews are still coming in for his new record, but his debut ‘Angeleno’ earned great reviews both in the UK and US, with The Guardian stating: “His debut LP is a polished and cosmopolitan west coast take on traditional country music (he’s called it ‘SoCal country’) with songs that are moody and wry all at once.” Here are those dates. Continue reading “Sam Outlaw announces UK dates for July”
This is by way of Stereogum this morning who report that “Country singer Terry Allen is the latest artist to contribute a song to the anti-Trump Our First 100 Days project. He’s offered up a new track called “Stroll” that was recorded during the sessions for his most recent album, 2013’s Bottom Of The World.” We’re probably going to be in need of our own 100 day project here in the UK beginning June 9th. Oh God…
And if you were a massive fan you could do all the dates and watch the film 7 times. If you really loved Bob you would. Uncut reports: “Dates have been announced for a UK tour celebrating the 50th anniversary of DA Penebaker‘s Bob Dylan documentary “Dont Look Back”. Penebaker’s film follows Dylan’s 1965 UK tour. This run of screenings dates follows in the footsteps of that momentous tour, taking place in cities where Dylan performed in 1965. Continue reading “Dylan documentary to be shown on 1965 tour stops”
Rolling Stone have posted another track from Justin Townes Earle’s forthcoming album “Kids in the Street” which they describe as “a pedal-to-the-metal Memphis boogie… a return to form – with a twist. “Faded Valentine” conjures up Earle’s earlier days, when he’d slow down the cadence and let his rasp get soft and sticky in a relaxed country waltz or honky-tonk shuffle. But it’s also a little more lush instrumentally, thanks to production from Mike Mogis (Bright Eyes, M. Ward), who invited Earle to his Omaha studio to make the LP. It’s the first time Earle has worked with an outside producer, and Mogis made sure to never trade spontaneity for polish.” Listen to the song below.