Dirty Dozen: Chloe Foy

Chloe Foy has previously been likened to such artists as Julien Baker, Laura Marling and Sharon Van Etten. Her songs are imbued with lyrical and textural inflexions evocative of much of the music she loves – taking inspiration as much from neo-classical music as much as wider trends within indie-rock, Chloe’s new EP comprises carefully constructed arrangements that delicately compliment her cryptic lyrics. Continue reading “Dirty Dozen: Chloe Foy”

Dirty Dozen: Lazarus

Rock n Roll Heart ended up as the title track, almost by accident. While I feel that it is very much a folk/Americana record, compositionally it progressed beyond traditional folk instrumentation, ranging from solo acoustic guitar to a Dixie land band.  Organically, it became my folk record that beats with a “Rock n Roll Heart.”  Continue reading “Dirty Dozen: Lazarus”

Dirty Dozen: The Harmaleighs

The Harmaleighs craft honest passionate and poetic songs cut from a pastiche of indie-folk, pop and Americana and released the Hiraeth EP on May 5. The Nashville duo released the empowering Americana anthem, “Lady Brain”, where delicate electric guitars entwine with hypnotic and heavenly vocals before crashing into an unforgettable refrain. And the inspiration for the track is as ridiculous as the title implies. Continue reading “Dirty Dozen: The Harmaleighs”

Dirty Dozen: Hayride Casualties

When asked to give AUK the inside track on Hayride Casualties, Daniel DeWald replied “I’ve lived in Brooklyn, NY on and off for over ten years now. I grew up on the East End of Long Island, which has lots of farms and remote beaches. So I crave both city and country, and I think my songwriting reflects this. There’s a pull towards a more acoustic, traditional approach to a song, and a pull in the opposite direction: more electrified, progressive, a bit more rocking. ” Continue reading “Dirty Dozen: Hayride Casualties”

Dirty Dozen: The Americans

The Americans are a four piece rock & roll band from Los Angeles. T-Bone Burnett describes them as “Genius twenty-first century musicians that are reinventing American heritage music for this century.” Reviewing the band’s newest single “The Right Stuff” for Pitchfork, Greil Marcus writes, “From the first rolling guitar notes, carrying sadness and defiance like dust, this sweeps me up: I want to know everything about where that feeling came from, and where it’s going.” Continue reading “Dirty Dozen: The Americans”