Blue Rose Code: St. Andrews In The Square Glasgow Americana Festival – 5th October 2016

“I’m going to start with my most miserable song.” Thus opened the 10th Glasgow Americana Festival, the words spoken by Ross Wilson of Blue Rose Code as he opened his set with a solo rendition of the achingly beautiful “Pokesdown Waltz”. Well, Americana (and Country) fans do love their misery so no complaints there then especially when it’s a curtain raiser for Wilson’s latest sold out show in Mother Glasgow, the dear green place having clasped this Leith born troubadour to its bosom.  And while there’s a pedal steel on stage this is no country song jamboree, no tears in your beers, more reflections in a rain swept loch. Wilson and his current line up deliver his increasingly Celtic ruminations with wild flurries of notes which capture the grandeur of the Highlands along with the more introspective moments one has come to expect from a writer who has used his songs as a confessional on more than one occasion. Continue reading “Blue Rose Code: St. Andrews In The Square Glasgow Americana Festival – 5th October 2016”

Jimmy Webb: The Stables, Wavendon – 21st September 2016

Jimmy Webb is, without a doubt, a songwriter of some high ability – even if he’s not best known for what are his most interesting compositions. His reputation in the UK has been burnished in recent years by appearances on “Later…” and “Songwriters Circle” where he has been able to mix songs with some autobiography – a bit like the programme for this evening of Jimmy Webb & Glen Campbell. Continue reading “Jimmy Webb: The Stables, Wavendon – 21st September 2016”

Mogwai: The Barbican, London – 15th September 2016

There is a dichotomy that is going to run through this review – is it a review of a live gig or is it a review of a documentary film? Mogwai’s last album was the soundtrack for the film “Atomic: Living in Dread and Promise” and this concert neatly solved the problem of how to play music so closely tied to a visual presentation by playing it as an accompaniment to the film. It’s a neat, and near ideal, solution – as the film gains a lot of emotional punch by having the score presented live and at full Mogwai volume, but it does leave the band in the strange position of playing second fiddle to the strong images being projected whilst they themselves are lost in the stygian gloom of the barely lit stage. Continue reading “Mogwai: The Barbican, London – 15th September 2016”