Trevor Alguire “Perish The Light” (Independent, 2016)

album-cover-2Canadian singer-songwriter Trevor Alguire has in Perish The Light his sixth album, and with a wealth of travelling behind him back home and across Europe, he is a seasoned performer. No sooner does the needle drop onto the vinyl and Alguire establishes a groove as he shares stories of his worldly travels, speaks of love and of having to stand strong. “My Sweet Rosetta” produces an eerie piece of music for fellow Canadian, award winner Catherine MacLellan to perform a duet. Gritty, dark and foreboding through fine use of fiddle, Miranda Mulholland (Great Lake Swimmers, Belle Star) a moody and captivating canvas is painted. Continue reading “Trevor Alguire “Perish The Light” (Independent, 2016)”

Adam Torres “Pearls To Swine” (Fat Possum, 2016)

 

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American singer-songwriter Adam Torres’ pathway to become a fully committed recording artist has taken longer than it might. I can’t help but think his teaching and voluntary work, in rural villages in the Ecuadorian Andes (and other projects) since his 2006 debut has made the 30 year-old act a more rounded human being and instructed songwriter. Continue reading “Adam Torres “Pearls To Swine” (Fat Possum, 2016)”

Ben Bedford “The Pilot And The Flying Machine” (Waterbug Records, 2016)

a3621921761_10American singer-songwriter Ben Bedford’s fourth album is one of a plaintive, pure open sounding recording. The sound was obtained through utilising the acoustics of Douglas Avenue United Methodist Church in Springfield, Illinois. The Pilot And The Flying Machine was recorded over five days in January of this year, Bedford (acoustic guitar, vocals) and his touring partner of the past two years, Diederik van Wassenaer (violin, viola) and Ethan Jodziewicz (double bass) plus his wife, Kari Bedford who performs graceful harmony vocals. Jodziewicz studied under the legendary Edgar Meyer; and in turn is linked with him when engineer David Sinko (Punch Brothers, Meyer, Yo Yo Ma) does the honours in the department. Continue reading “Ben Bedford “The Pilot And The Flying Machine” (Waterbug Records, 2016)”

Scott Cook and the Long Weekends “Go Long” (Groove Revival, 2016)

scott-cookA bit overly complicated, you just want Cook to make a record, and forget the Frisbee spin off game sleeves etc.  Musically it is very appealing, lyrically hilarious; “Judging from the angle of the sun its beer o’clock is good that said, as is a “cluster folk”. Recorded in a weekend, recorded live off the floor, it sounds like chums having a good time. Continue reading “Scott Cook and the Long Weekends “Go Long” (Groove Revival, 2016)”

Hattie Briggs “Young Runaways” (Wise Dog Records, 2016)

Hattie BriggsIt’s hard not to draw comparisons to other female singers and songwriters whilst listening to this record, as it has so many of them referenced along the way, it is such a striking lineage you find yourself trying to place the reference constantly. Briggs will clearly be enjoyed by the fans of artists like Bush, King, Chapman, Armatrading and Mitchell; and is deserving of that company.  Continue reading “Hattie Briggs “Young Runaways” (Wise Dog Records, 2016)”

Peter James Millson “The Red Café” (Ind, 2016)

Peter james Millson, 2016An album of late night laments, jazz infusions and electronic flourishes reminds me of the late Colin Vearncombe, ABC and David Sylvian.  It does feel a little like a 80/90’s pop star making a ‘grown up’ record, and it is difficult to place in any genre, which is a relief.  A really believed in record, top production, check out ‘Dreams Take Flight’ glockenspiel.  Continue reading “Peter James Millson “The Red Café” (Ind, 2016)”

Georgia Ruth “Fossil Scale” (Navigator Records, 2016)

Ruth-Georgia-2016On her second album Welsh songstress Georgia Ruth, nominated in 2014 for a Radio Two Folk Award, offers more radio friendly music although in this instance it’s more likely that it will be Radio 6Music who will be championing her. Discarding for the most part her usual instrument, the harp, and sticking to lyrics in English (aside from her cover of Meic Stevens’ Sylvia sung in Welsh) Ruth layers her voice over a gently pulsating wave of keyboards, synths and guitars throughout the album, the end result a shiny and laid back slice of almost ambient music. Continue reading “Georgia Ruth “Fossil Scale” (Navigator Records, 2016)”