Curse of Lono’s show at The Water Rats was a launch for their anticipated debut album Severed. The venue has a rich history, Marx and Lenin are both reputed to have frequented the place during their respective times in London and Bob Dylan played his first UK show here in 1962. This, coupled with the band sharing their name with a Hunter S Thompson book, led me to wonder whether to expect something unusual, intellectual, dangerous or deranged. What I got was a bit of each from Curse of Lono, a London based five-piece band consisting of Felix Bechtolsheimer and Neil Findlay both from Felix’s former band Hey Negrita, plus Joe Hazell, Charis Anderson and Dani Ruiz Hernadez. Continue reading “Curse of Lono, The Water Rats, London, 20th April 2017”
The church has a profound effect on some people. For BC Camplight it drove him to greet his audience with a handshake at the south porch as they left. Earlier I wasn’t too sure Camplight was an artist just right for Americana UK but soon my fears were relieved when I spotted a writer from a rival website tapping away on his Samsung in the opposite corner. And then Camplight played Your Cheating Heart, a foot stomping version on the church piano that he used throughout the set. Continue reading “BC Camplight, St Pancras Old Church, London. 20th April 2017”
The schedule of a touring musician is a thing of mystery at times. Here we find Kelly Sloan, one of what seems to be a never-ending stream of talented singer-songwriters emanating from Canada, playing to a rapt audience at the wonderfully welcoming and intimate setting of The Bellows at The Wheelwright Arms in Colyford, East Devon (population 550). The next steps on her tour; Milan and various stops around Italy, Sicily, Switzerland and Luxembourg. Credit for how Colyford became a part of that itinerary is down to establishment hosts Mark Newton and Kirstin Reynolds who, judging by the posters of past and future headliners adorning the walls, have an irresistible lure to the discerning musician. Continue reading “Kelly Sloan, The Bellows at The Wheelwright Inn, Colyford, 11th April 2017”
A true unplugged set this evening. Wearing a short olive dress and perched confidently on the record shop front desk, Courtney Marie Andrews was charming the 25 strong audience with cuts from the new LP. Without the piano and pedal steel of the album, the songs shift from the smooth neo-country textures and take on a surprising indie feel, perhaps explaining the Zane Lowe endorsement. Continue reading “Courtney Marie Andrews, In-Store Performance, Rough Trade West, London. 12th April 2017”
Holly MacVe is 21. She grew up in Ireland, Yorkshire and Brighton yet she creates lonesome country songs hewn from the bedrock of Hank, Emmylou, Joni, Tammy and KD along with that of Lana Del Rey. A few of the dates on her current tour are in churches, this one being a fine Sir John Soane Italianate example built in 1820 and still a place of worship. Americana music is rooted in the church, in gospel and blues and the country folk of the god-fearing Appalachians so musically everything is perfect here. Support act Will Stratton changed the lyric in one of his songs for the occasion. “When I wrote this I was a hard line atheist, but I’m not so sure now “, he says, and he leaves the song hanging, questioning. His voice evokes the soft longing of classic American folk and there are glimpses of Paul Simon, Nick Drake and James Taylor too. Continue reading “Holly MacVe + Will Stratton, St John on Bethnal Green, London E2 – 6th April 2017”
When a panel voted recently on the best Australian songs of the modern era, three of the top ten were penned by Scots. The Easybeats’ “Friday On My Mind” topped the list, co-written by George Young whose brothers Angus and Malcolm were behind the number nine, AC/DC’s “It’s a Long Way to Rock”. Neither of these are overtly Aussie, which cannot be said of the song that came fourth, written by the man working the audience in
Upper St. tonight. Colin Hay, the solo troubadour behind the mike and behind the song in question (more of that later) was Men at Work’s founder and frontman who moved from Saltcoats in Scotland to Australia in his teens. However he has lived in California since the demise of the band, almost 35 years ago, making him more than qualified to deliver a new album “Fierce Mercy” where the influences of his adopted homeland come to the fore. He chats about inspiration – he cites Gene Pitney, the Walker Brothers and Roy Orbison but in addition to those, echoes of The Beach Boys, Jackson Browne and Bob Seger are all evident in this latest piece. Continue reading “Colin Hay, Union Chapel, Islington, London 4th April 2017”
On Sunday night, Over The Rhine brought their uniquely American sound to the home of English Folk Music. The Kennedy Hall in Cecil Sharp House is an imposing room and appeared to be full. While their albums and live shows in the U.S often feature a full band the essence of Over The Rhine is Karin Bergquist and Linford Detweiler as a duo, mixing voices, piano & acoustic guitars. What struck me after hearing their live recordings was the emotional power of Karin’s singing on Born and Latter Days. On recent songs Linford shares the vocals more and this lends a warmth and intimacy to the songs, they often seem sing to each other as much as to the audience.