The Magic Lantern “Holding Hands” – Listen

Born in Australia, before moving to the UK at 12, Jamie Doe began performing as The Magic Lantern while studying philosophy in Bristol alongside friends like This Is The Kit. Now based in London he has released three albums under the band name – the first with a full band, the second a solo outing and on To The Islands he’s backed by a new band of musicians. Holding hands mixes a folk feel with some jazzier inputs and in its intimacy and with a swooping, gliding, vocal sounds not a million miles away from Sam Lee.

Dan Michaelson “Old Kisses” – Listen

Dan Michaelson will release his new solo album ‘First Light’ on 8th December, the follow-up to last year’s critically acclaimed “Memory” which was described by the Independent as “making mordant sorrow sound timeless and fresh”. And who doesn’t like a bit of mordant sorrow?  The new song Old Kisses “imagines a place where every intimate moment is made material and we are surrounded by the debris of our emotion”. As well as soundtracking the third season of the BBC series “Detectorists”,  Michaelson is currently scoring Stephanie Wang-Breal’s feature-length documentary ‘Blowin’ Up’ which is the story of an innovative human trafficking court in Queens, N.Y, following the compassionate judge who runs it and the women who pass through its doors every day. Album track listing is after the audio.

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Lasse Matthiessen “When We Collided” – Listen

Danish born, Berlin living and with a new EP (this is the title track) due in November which was inspired by the pulse of life in Paris, Lasse Matthiessen is a cosmopolitan new-folk folkie. Opening with a few stabs of electronica, When We Collided soon opens up to reveal an emotional depth that strikes a chord from the first listen. There’s an urgency in the thrumming guitar, there’s a dolorous sense to the vocals, and the interplay with Sara Hartman harmonies is as fragile as a champagne flute balanced on the Pont des Arts.

Feral Conservatives “One More Chance” – Listen

With the production assistance of Jon Auer (part of reunion era Big Star) Feral Conservatives have captured the Power Pop vibe perfectly on this muscular cut from their new album Better Lives (due November 3rd). Distinguished by Rashie Rosenfarb’s vocals, One More Chance just snaps, crackles and Power Pops from start to finish.  What a joy!

Tim Hart “I’d Do Well” – Listen

Tim Hart from Aussie indie rock/folk band Boy & Bear has announced a new solo album “The Narrow Corner,” set for release on 2nd February, 2018 via Nettwerk. The lead single from the album is the catchy and melancholic I’d Do Well. “I’m really stoked to be releasing my new single I’d Do Well,” Hart explained to Clash in the most Aussie way possible. “For me this song was written in one of my more introspective moments on tour. Missing home and thinking back to living life a bit more simply.” The new album reunites Hart with Milling the Wind-producer Mark Myers (The Middle East, Emma Louise, Timberwolf), as well as Sydney producer Wayne Connolly (Cloud Control, You Am I, The Vines), responsible for Boy & Bear’s #1 ARIA charted album “Harlequin Dream”.

Martha Tilston “Green Moon” – Listen

Martha Tilston has released her rather lovely new single Green Moon which you can introduce your ears to below. Taken from her seventh album “Nomad” Tilston told us: ‘We are all a hair’s breadth away from feeling either part of, or outside of any experience or relationship. Do we stay forever outside looking in, never daring to reveal and leave ourselves vulnerable, or do we say “screw it, so you told my secrets to everyone, I will survive and I will trust again.”‘  Er, stay forever looking in?  She hits the UK for some dates, which you can peruse as you listen below.

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The Anatomy of Frank “The Sunken Coast” – Listen

The Sunken Coast is taken from the Virginia based folk-rock trio The Anatomy of Frank’s most recent album South America. It highlights lead singer Kyle Woolard’s soft, warm vocals and his intricate guitar plucking which weaves together with Jimmy Bullis’ keyboards and Max Bollinger’s drums to give a softly breathed ethereal feel to this song of mixed-emotions from a relationship that’s over but left behind some still glowing embers.