Having a bit of a Ryan week for news we are. Pitchfork reports: “Last night, the Oasis documentary Supersonic screened in the United States. It’s the only night that the film will play in the country. Among those who went out to see the film was Ryan Adams. He tweeted out his recommendation, telling people they should see it “if you need something to remind you what the fuck rocknroll means.” He also lamented “how boring” music has become since Oasis emerged. Continue reading “Ryan Adams: “Oasis mattered unlike today’s bullshit””
Up-and-coming country troubadour Luke Bell releases his self-titled album on November 11th on Bill Hill Records / Thirty Tigers. Produced by Andrija Tokic (Alabama Shakes, Benjamin Booker) at The Bomb Shelter studio in East Nashville, the album emphatically puts Bell in the vanguard of traditionally rooted contemporary writer/artists. A critical hit stateside, it has been rated one of Rolling Stone’s top albums of the year so far. Continue reading “Dirty Dozen: Luke Bell”
As football commentators love to say, “It’s a game of two halves” and the same goes for North Carolina’s Andy Ferrell’s debut album. Comprised of 12 songs the first six were recorded in Nashville with a band complement while the remainder are a capture of a solo show in his home town of Boone effectively reminding this reviewer of the days when one had to flip a disc over midway through listening. It’s not only the reminder of this old ritual that recalls the “good old days” when listening to At Home And In Nashville as Ferrell is yet another of these youngsters who are looking to singers and songwriters from the seventies for inspiration. Ferrell notes Townes Van Zandt as one of his heroes but on listening to the album there are reminders of Arlo Guthrie and Loudon Wainwright to be heard while the live tracks span a tradition that goes back to Woody Guthrie. Continue reading “Andy Ferrell “At Home And In Nashville” (Independent, 2016)”
Classic blue collar heartland rock from the album Stay Gold.
Lucy Rose will release her new album, ‘Live at Urchin Studios’ on 9th December 2016. Recorded in one hour at London’s Urchin Studios in front of a live audience and with only one bandmate (Alex Eichenberger), the album features tracks from Rose’s debut release ‘Like I Used To’ as well as last year’s follow up ‘Work It Out’. Rose also hits the UK for a “library” tour as part of the Get It Loud In Libraries initiative. Limited tickets for all shows are on sale now via DICE. Continue reading “Lucy Rose Announces New Live Album, Dates”
The album’s set for a 2017 release before you get too excited. Pitchfork peppily reports: “The Shins are getting in the Halloween spirit. This morning (Oct. 26), the James Mercer-led band dropped a music video for a new song called “Dead Alive,” featuring the rickety production quality and campy macabre of an old horror B-movie. The Shins teased the video on Instagram yesterday and today we’ve got the whole thing, along with a message about the new music the group’s brewing: “James Mercer wanted to give you all a Halloween gift while you wait for the album.” Below, watch Mercer struggle to realize if he’s shrunk or if the world’s gotten bigger. Continue reading “The Shins Return with New Album and Video”
Hailing from Ireland, France and England, The Wharves combine gracefully minimal psyche-rock with fuzzed out folk. They invoke the reverberated spook of 60’s groups, the mid-fi guitar crunch of Kim Deal’s The Amps, the sisterly vocal harmonies of The Roches and the narrative and structural panache of 70’s progressive folk. Thunderous drumming drives through these compositions, ensuring the wealth of disparate influences remain focused and celebrator. Continue reading “Dirty Dozen: The Wharves”