A beautiful song taken from his outstanding new album The Wide Afternoon.
Ace news from Spin who report: “It’s hard to believe five years have gone by since Aimee Mann’s last studio album, Charmer. That’s half a decade and yet it feels like only a couple of years ago. Oh well, that’s what happens when you get old — time just drifts without pause. Fortunately it’s brought us to her here, to her forthcoming solo record, Mental Illness. Produced by longtime pal Paul Bryan, the album reportedly “shows off Mann’s rich, incisive, and wry melancholia in an almost all-acoustic format, with a ‘finger-picky’ style inspired by some of her favorite ‘60s and ‘70s folk-rock records.” Continue reading “Aimee Mann to release first album in 5 Years – Listen”
Self-consciously literary songs that owe a debt to the Mountain Goats, a name that is self-consciously of literary genesis and self-conscious references to the Mountain Goats; by now you’re either engaged and ready for what comes next or you’ve already gone. Stick around, for the songs have a bounce and humour that saves them from preciousness or pretension. It’s mainly the work of one man – Daniel Walker – but you’ve probably guessed that. Dissonance gets the Mountain Goats homage out of the way right off the bat, the percussive piano bouncing the song along with a force that is equalled by Walker throwing out the lyrics like they really matter. It’s disarming and charming. Continue reading “Owen Meany’s Batting Stance “Owen Meany’s Batting Stance” Independent, 2016”
“Cinematic Americana” was how someone once described Dusty Wright’s music. For a guy that loves to write, and not just music, it aptly described his vignettes of love, loss, and the mysteries of life. Darkness abounds, wonderful darkness.
Can you tell us about yourself? Where you’re from and what you’ve been up to over the past few years?
I’ve been a music junkie since my earliest memories of seeing The Beatles on Ed Sullivan. I’ve been so passionate about music that it nearly consumed me. Continue reading “Dirty Dozen: Dusty Wright”
A rootsy CSNY-influenced song from an outfit most recently seen supporting Margo Price.
“For a new artist, her confident grace is all the more remarkable” – so says Pitchfork about New Zealand songwriter Nadia Reid who releases her second album Preservation in March. “I remember recording the tracks, it was about 11 at night, and I felt almost transcendental, as if I was out of my body, singing these words to myself. That’s what these songs are; a confession to my future and past self.” Preservation is the second release for new label Basin Rock, based in the Lancashire/Yorkshire town of Todmorden. Click through for UK dates and a listen to the rather fantastic new single Richard. Continue reading “Nadia Reid releases new single, tour dates – Listen”
There are few surprises on a MF record. They plough the same furrows year after year sprinkling the seeds of REM and Uncle Tupelo and reaping their own brand of Americana flannelled jangle. It is perhaps useful to think of REM without Mike Mills and UT without Jeff Tweedy (OK, Son Volt). It’s a sweet enough spot to be in especially from an Americana perspective, and this is an enjoyable listen, only it could have been from any of the past thirty years. Continue reading “Massy Ferguson “Run It Right into the Wall” (At The Helm Records, 2016)”