The title track, an entry in a song writing competition to highlight the effects of pine beetle epidemic in Iowa City, the 4th album in AEL’s discography and an opening track with a sad weepy fiddle, set the scene. Breathy, and at times just plain old sad, it shuffles along, asking to be loved, hopping awkwardly from foot to foot of a record – but love it you will, long time. Her husky tones, the sunny afternoon tunes are a perfect antidote for a grey rainy autumn afternoon. Continue reading “Anna Elizabeth Laube “Tree” (Ahh…..Pockets! Records, 2016)”
Perched precariously on a collapsible stage barely large enough for his four bouzoukis, bag of harmonicas and himself – Andy Irvine looks surprisingly comfortable. This in spite of the perils experienced by those sat in the front row of the unusually full side room of The Orange Tree pub where the Baldock and Letchworth Blues, Folk and Roots Club meets. Continue reading “Andy Irvine: Baldock and Letchworth Blues, Folk and Roots Club, Baldock – 19th October 2016”
Opening with a poem by the band’s late guitarist George Bedford Russell read by Will Self this is gloriously strange.
Neil Young, around the time of his Living With War, bemoaned the absence of other, and younger, protest singers. This was never really true, the difference was the level of media attention such artists could attract – and to be fair to Ol’ Neil he recognised this by showcasing songs on his web site. This is all by way of saying that Who Will Be Next? sees Joe Purdy more than fill this gap. Continue reading “Joe Purdy “Who Will Be Next?” (Bread and Butter Music, 2016)”
Living in these ‘post-truth’ times, after the disaster of the Brexit result and the uncertainty following The Donald’s recent election victory and imminent move into the White House, we have to take cold comfort where we can find it. Just in time, Justin Wells, has shown up with his new solo album Dawn in The Distance. Wells used to be a member of Kentucky based-band Fifth on the Floor until they split late in 2014. Continue reading “Justin Wells “Dawn in the Distance” (August Music, 2016)”
Although you may need to hot foot it over to the States for a copy – best go before the end of the year if you’re not white Caucasian. Uncut reports: “Neil Young will reissue a fresh batch of archival albums on Record Store Day’s Black Friday, November 25. Young will release a 5 album box set, Official Release Series Discs 8.5 – 12, which includes: Long May You Run, American Stars “N” Bars, Comes A Time, Rust Never Sleeps and Live Rust. This is the first remaster of Long May You Run in any form since the original 1990s CD. This ORS 8.5 – 12 is the latest in Young’s ongoing vinyl reissue programme. For last year’s Black Friday, Young released the Official Release Series Discs 5 – 8, which included remastered vinyl reissues of On The Beach, Tonight’s The Night and Zuma alongside the long-unavailable Time Fades Away. Continue reading “Neil Young latest archives out Friday”
Westley Horner is song-writer from London who’s love of Americana shines through in his impressive debut album “Silent Temper”. Despite having a London outlook, his songs are recorded with Crescent City musicians in New Orleans to create an authentic yet individual feel to his music. Westley’s talent is clear and his enthusiasm is infectious. A big future beckons
Continue reading “Dirty Dozen: Westley Horner”
Something of early Neil Young about the vocals here and a great video.
Producer, songwriter and recording artist Alabama-born and breed, John Paul White returns to a solo career after the break-up of the four-time Grammy winning duo Civil Wars. Enjoying a pace of life befitting the history of the American south, family man White has been doing things at his own pace. Working on other projects prior to turning his attention to his own career White doesn’t make rash statements. He muses issues over in his mind before sharing his conclusion in a quiet, yet authoritative manner. Continue reading “Interview: John Paul White”
The Christmas lights in Oxford Street are certainly pretty this year – simple glowing globes all done the centre of the street, their supports hidden in the gathering dark so they appear to hang unsuspended in the night. I’d show you a picture, but I forgot to pick up my camera before leaving. It was just as well, as it would have just gotten wet – I’d decided to gamble on it not raining and so had left my coat as well. I lost that bet. Which is a shame as I ended up wandering around for almost an hour in the drizzle as I’d got the start time wrong. So your intrepid reporter eventually approached the doors to the Gibson Studio with some trepidation Continue reading “AMA-UK Awards Nomination Party: Gibson Studios, London – 15th November 2016”