Oceans are Zeroes impinge a power-pop sensibility on the hugest Mogwai-meets-Mercury Rev songs imaginable creating a wall of rock sound backdrop behind high and steely vocals. The initial effect is to be bowled over by a veritable tsunami of sound, breaking on the beaches and throwing out sparkling rockets rather than more humdrum flotsam and jetsam. It’s infectious and initially exhilarating, such an insistent rush of music. Continue reading “Oceans are Zeroes “Oceans are Zeroes” ( Independent, 2017)”
Taken from Red Moon Joe’s forthcoming album “Time and Life” All proceeds from sales of this single to the Orgreave Truth and Justice Campaign. The song is available via all major online retailers and all the proceeds go to the charity.
Although Kelly Sloan is new to these shores her 2016 album Big Deal was in fact her third following her 2008 debut Always Changes and 2010’s Kelly Sloan. Accomplished on both guitar and piano, her influences range from folk to country through vintage 50s & 60s pop rock. I caught up with the award winning Canadian singer-songwriter just before her final UK date of a European tour that will take in Italy, Sicily, Switzerland and Luxembourg. Continue reading “Interview: Kelly Sloan”
The church has a profound effect on some people. For BC Camplight it drove him to greet his audience with a handshake at the south porch as they left. Earlier I wasn’t too sure Camplight was an artist just right for Americana UK but soon my fears were relieved when I spotted a writer from a rival website tapping away on his Samsung in the opposite corner. And then Camplight played Your Cheating Heart, a foot stomping version on the church piano that he used throughout the set. Continue reading “BC Camplight, St Pancras Old Church, London. 20th April 2017”
Robyn Hitchcock releases his twenty first studio album, his first since 2014’s ‘The Man Upstairs’, and has chosen after all these years an eponymous title. “It’s ‘Introducing Robyn Hitchcock” he has said, working on the principle that the album will serve as a good entry point for those new to his music. Like it and you’ll find plenty similar throughout his career and if you don’t, well there’s no point in investigating any further. It’s not difficult to envisage many who will be prepared to seek out further work by this surrealist music icon after listening to this as it is a triumphant return. Hitchcock relocated to Nashville in 2014 and the seeds of this album were sown when he was tempted into the studio by producer Brendan Benson who urged him to make a record like the Soft Boys and Hitchcock has responded by delivering a piece of work that ranks alongside anything he has done. Continue reading “Robyn Hitchcock “Robyn Hitchcock” (Yep Roc 2017)”
Delve into the Americana UK archives and you’ll find a lot of love for Jason McNiff. Over the course of 15 years and six albums, McNiff has constantly found favour with assorted reviewers (a task in itself) and his 2003 album Nobody’s Son was our album of that year. A running thread throughout the mentions and reviews is bewilderment as to why McNiff is not more celebrated with comments such as “the UK’s most underrated Americana artist” bandied about. So much for Americana UK being taste makers but we can take comfort in the fact that others such as Mojo, No Depression, The Independent and Time Out all concur and despite that McNiff remains something of a secret. It’s somewhat shameful that when the charts (such as they are) are populated by chaps emoting in a singer songwriter fashion and who are best known for the colour of their hair or their hat sense that someone like McNiff is relegated to cult status. Continue reading “Jason McNiff “Rain Dries Your Eyes” (Tombola Records, 2017)”
The beautifully pure voice of Canadian singer-songwriter Jessica Rhaye is displayed to excellent effect here on the title track from her just-released new album.