Driven to ditching her acoustic guitar by an endless series of broken strings, Abbie Morin switched from her folk-rock persona to the Fender Jazzmaster sound of new project Hammydown. It’s the quirky garage-pop that could get filed alongside the B-52s or They Might Be Giants . The new EP – Pizzaface – captures the sound of the millennial slacker – those who button up and drag their way through the working week whilst trying to pursue creative passions, but still just feel like losers who are stuck in a series of service industry jobs and a rotating roster of bosses who helpfully tell you “it doesn’t cost anything extra to give service with a smile”. Happy Monday!
On the back of their most recent release, Northern Passages, The Sadies will be returning to the UK for a short series of dates at the end of October. The Sadies – singer/guitarists Dallas and Travis Good, bassist Sean Dean and drummer Mike Belitsky – exploded onto the North American music scene 20 years ago and were instantly raised to the rarefied pantheon of alt-country greats. It’s a position they’ve maintained with the release of every new collection of songs – and Northern Passages (granted 8/10 right here on Americana-UK) does nothing to stop this stream of deserved adulation. Continue reading “The Sadies land in the UK this Fall”
Some fine playing here from Canada’s Slocan Ramblers, who’ll be in the UK & Ireland in October for the first time.
This is Phil Dewhurst (Jinder)’s 10th album. He lives and works in Dorset, and by his own words has played, sung, recorded, engineered, produced and mastered this album himself at a studio in that county. The name of the album “Kingsize Blackfoot” has been adopted for this project to honour Jinder’s / Phil’s direct connection to Native American Blackfoot Sioux Roots, and also as a comment on his stature (6’7’’). Note also the classic album cover: a buffalo on the plains, with the sun rising. Continue reading “Jinder “Kingsize Blackfoot” (Din of Ecstasy 2017)”
Don’t get too excited though – it’s not until after Christmas (but at least now you know what to ask for !). Lord Huron will be bringing the sounds of their 2015 album Strange Trails back to the UK, and no doubt there will be some exposure for the world conquering debut album Lonesome Dreams. Lord Huron are now an official band – having started life as a project for frontman and songwriter Ben Schneider. Continue reading “Lord Huron to return to UK”
Five divergent musicians who eventually found each other in New Orleans, The Deslondes follow up their impressive 2014 debut album with the equally fine Hurry Home. Less country inclined than its predecessor the album finds the band roaming through a variety of styles – swampy southern roots, 50’s rockabilly, and classic rhythm’n’blues which, with several members of the band singing lead on various songs gives the album a truly dynamic feel. Comparisons to The Band and The Felice Brothers (which surfaced in reviews of the first album) will persist and that’s no bad thing and although The Deslondes are not as rough and ready as The Felice crew they’re handy reference points. Continue reading “The Deslondes “Hurry Home” (New West Records, 2017)”
A descending, modal chord progression plucked out on what sounds like a 12 string guitar, the twang of a string bent here and there – with the first few bars, any listener with a penchant for bluesy American roots music will be frothing at the mouth with excitement. Surely, this must be one of those songs about Dust Bowl wanders from the ’20s or backwoods murderers living beyond the law. Continue reading “Harbottle & Jonas “Anna is a Dancer” (Independent, 2017)”
Having struggled with immigration for their SXSW appearance this year – lead singer Bjarke Bendtsen had his entry visa which resulted in Rainbrother playing their first gig in Austin with Bjarke still on his living room couch in Copenhagen. Not wanting to let Trump win, the band played the rest of their parts with a pre-recorded projection of Bjarke behind them not missing a single beat and creating a truly unforgettable performance.
Not that this has anything to do with their new single Fat Eggs, but it’s a good story. So, what about the new single from sun drenched psych-pop favourites Rainbrother? Bjarke Bendtsen explains “Fat Eggs is a song about giving into late night temptations, lusts, desires and the beauty of being human. The song is also about not caring too much and eating fat eggs when they’re on your plate and still hot”.
Yeah, well that’s that explained then.
This week’s look back comes from the wonderful Indigo Girls, who’ve just started their first UK tour in a decade. You really should go and get there early too for support act Lucy Wainwright-Roche.
With a CV as long as your auntie Susan’s shopping list, The Americans certainly win the prize for putting in the effort: previously serving as the backing band for Luncinda Williams, Nick Cave and Courtney Love at the David Lynch Foundation’s 60th Anniversary of Allen Ginsberg’s Howl, they have also recently made friends with Jack White, T Bone Burnett and Robert Redford to land a spot in the forthcoming PBS documentary series American Epic (airing on the BBC from 16 May 2017). Continue reading “The Americans “I’ll Be Yours” (Loose, 2017)”