Holy Moly indeed! There’s a lot of exciting music on this new release from North East Folk Rockers, Holy Moly and the Crackers, as they move away from their earlier folk-oriented material and explore a darker and more rock influenced direction. This album is a big departure from their previous sound, which was much more rooted in traditional folk rock. On “Salem” they’ve gone for a harder, rockier sound built around a number of songs that are more intense and starker in content than previous work. The results are a bit of a mixed bag – there are some glorious songs on here that really grab you by the throat and pull you in, songs like the opening title track, with it’s story built around the Salem witch trials of the late 1600s but used as a comment on the current rise of xenophobia and hate crimes. Continue reading “Holy Moly and The Crackers “Salem” (Pink Lane Records, 2017)”
This is rather lovely from The Lowest Pair. If you missed them when they were here in May they’ll be back next year in March/April.
Back in 2004 we had Steve Earle’s “Beatles” album – “The Revolution Starts Now”; then, in 2015, we had his “Blues” album – “Terraplane”. Now we have his latest release, his “Waylon Jennings” album – “So You Wanna Be an Outlaw”. Of course, none of these are an album of covers or an attempt to sound like the artists referenced; it’s more about Steve Earle wearing his influences on his sleeve and specifically acknowledging them in the way he writes and performs for that particular album. Continue reading “Steve Earle & The Dukes “So You Wannabe An Outlaw” (Warner Bros. Records, 2017)”
Raised in Jackson Tennessee Erin Rae has recently been Nashville’s popular choice for backing vocals and harmony work working with the likes of Margo Price and Andrew Combs. Her debut album Soon Enough saw her take the decision to step out from behind other artists and take centre stage and tonight she was at the Green Note to promote her forthcoming album Putting On Airs while playing some songs from her acclaimed debut. Rae has been described as Nashville’s best-kept secret but based on what I saw and heard tonight, she will not remain a secret for long. Continue reading “Erin Rae And The Meanwhiles, Green Note, London, 20th July 2017”
I covered Josh Chandler-Morris’ original EP, a few years back, and it’s always a bit odd to open a records PR and find yourself quoted back. I find JCM voice a comfort – there is something reassuring in the records he makes with Carly Slade, I like the thought of their hometown Milton Keynes being the place where old punks end up, washed up maybe, and then the environs inspire them to make gorgeous Americana. Continue reading “Hope in High Water “Never Settle” (Independent, 2017)”
On their third trip to the UK, Massachusetts based indie-folk band Darlingside are continuing to build their reputation as a knock-out live band. With subtle musical shadings taking cues from folk, chamber pop, bluegrass, classical music, and modern indie rock, and aching harmonies they have a sound which recalls the likes of CSN, Fleet Foxes and Great Lake Swimmers. The four piece – bassist Dave Senft, guitarist and banjo player Don Mitchell, classical violinist and folk mandolinist Auyon Mukharji, and cellist and guitar picker Harris Paseltiner – also have a well received new album Birds Say, which features the superbly tuneful My Girl, My Guy, there’s a video of it just a little further down (coincidence, huh ?). Continue reading “Darlingside UK dates – now !”
From his new album, Play One More -The Songs Of Ian and Sylvia, out now, comes this fine cover of their classic, originally released in 1969 on the Great Speckled Bird album.