Aimee Mann announces UK/Ireland dates

Aimee Mann’s ‘Mental Illness’ which was released at the end of March went straight to number one in the UK americana charts – we were rather keen on it too, calling her work “rarely less than exceptional, and this effort is no different” – and in celebration of our review (probably), she’s announced some European dates this October including three UK/RoI shows with tickets on sale from 9am on Monday.  Links are below and you can see the full list of her European dates over at her website hereContinue reading “Aimee Mann announces UK/Ireland dates”

Aimee Mann “Mental Illness” (Superego Records, 2017)

The work of Aimee Mann has decorated the pages of this site almost from our inception. Mann is one of our touchstones, a yardstick for other female performers. Her work is rarely less than exceptional, and this effort is no different. It is softer and gentler, more acoustic, but the barbs and the songwriting are as strong as ever. If you had to characterise her work in one word, I’d go for melancholy and here You Never Loved Me is melancholy in a nutshell, quiet, elegant with a simmering ache of strings and velvety violent percussion, nailing those feelings; hangs, draws and quarters them. Continue reading “Aimee Mann “Mental Illness” (Superego Records, 2017)”

Interview: Aimee Mann

If Stewart Lee is the comedian’s comedian, then Aimee Mann is the songwriter’s songwriter. The Oscar-nominated, Grammy-winning singer is a hugely observant student of human behaviour, drawing not just on her own experiences to form the characters in the songs but tales told by friends, and her new album ‘Mental Illness’ (which you can now stream in its entirety courtesy of NPR music) shows off her rich, incisive and wry melancholia in an almost all-acoustic format,  with a “finger-picky” style inspired by some of her favourite 60’s and 70’s folk-rock records, augmented by strings arranged by her longtime producer, Paul Bryan. Mark Whitfield spoke to her about the new record, her feelings about the new era in US politics and what she thought about the ending of Mad Men.  Continue reading “Interview: Aimee Mann”

Aimee Mann releases new video from “Mental Illness” album – Watch

Aimee Mann’s new album “Mental Illness” (with a fantastic cover) is out next week, the follow up to 2012’s “Charmer” where she returns to a more musically soft-spoken but still lyrically barbed approach, exemplified by her current single, Patient Zero.  She’s released a video today for the first track on the record Goose Snow Cone which is rather lovely and features a cat called Goose (and her vet).   Continue reading “Aimee Mann releases new video from “Mental Illness” album – Watch”

Aimee Mann releases first video from new album – Watch

The new album by Aimee Mann ‘Mental Illness’ will be released on March 31st via SuperEgo/Membran, and she’s released her first video from it today. If you’ve ever seen any of her videos previously you’ll know she sets the bar high and this new track “Patient Zero” is ostensibly a song about Hollywood disappointment, influenced by the writings of Raymond Chandler and Nathanael West  (‘Day Of The Locust’). The video is directed by Daniel Ralston and loosely based on Ronald Harwood’s 1980 play ‘The Dresser.’  Continue reading “Aimee Mann releases first video from new album – Watch”