Fault Lines is the second album by Fred’s House, following on from their well-received debut, Bonnie and Clyde. Wikipedia cites them as an award winning band based in Cambridge mixing elements of Folk, Pop, Country, Classic Rock and West Coast with a definite vintage feel to their music, echoing the 70’s but creating a fresh new sound that is very much part of now. Continue reading “Fred’s House “Fault Lines” (Cracking Tunes, 2016)”
From their new album, “Welcome Stranger”, due for release in January 2017.
This is rather lovely (and has the correct link this time).
The title track from their latest EP, produced by Ian Carter of Stick In The Wheel.
Natalie Bouloudis is a native of East Sussex who first got her musical education in childhood, having played clarinet in jazz bands and had a few guitar lessons at school. Her debut EP is her first proper recording, all recorded live at Wax Studios in London and produced by Robert Strauss, and she’s releasing her new single online – ‘Burning Pier’ is set in a fictionalised amalgamation of the burnt-out husks of Brighton, Hastings and Eastbourne piers – “Essentially a meditation on how disasters can both evoke nostalgia and make us question our future in a new light.” Continue reading “Natalie Bouloudis streams her new single – Listen”
This year’s Number One! Maybe. Full of Christmas cheer. Sort of.
Michael Baker may be a relative unknown in the world of Americana, but he shouldn’t be. ‘Dust & Bone’ is a mighty-accomplished album, with more than a hint of alt-rock and acoustic folk thrown in with the beautiful songwriting and smooth vocals. Kicking off with ‘Steady & The Stuck’, the acoustic intro quickly drops into a full-band chorus and whilst it is not overly electric or loud, it does contain a lot of power that turns the track into a wonderful introduction to Michael’s Anglo-French take on a classic Americana style. Continue reading “Michael Baker ”Dust & Bone” (Keys To The Kingdom Records, 2016)”
Some homegrown heartache from the Isle of Wight
A powerful song about a shameful episode in Canadian history.