A nice groove here from former Noah & the Whale guitarist taken from his Serious Poke album.
Toronto-based Americana-songwriter Sarah Jane Scouten has announced a return to the UK this November, including shows in London, Scotland, Bristol and Wales. Scouten will be performing tracks from her upcoming new album due for release in 2017, as well as the recently released EP Volume One: in The Railtown Sessions through Vancouver label Light Organ Records. She has since teamed up with the label and will be releasing a brand new full-length album, recorded in Toronto at Revolution Recording with veteran Canadian producer Andre Wahl (Hawksley Workman, Jill Barber), in February 2017. Watch a video below, after you’ve perused these tour dates of course. Continue reading “Sarah Jane Scouten Heads to UK for Dates”
Steve Grozier has had the four songs which make up the Take My Leave EP knocking around unrecorded for more than a decade. Not stuffed, half forgotten, in a draw like some embarrassing half finished first draft of a novel. Nope these songs which document the part of his life spent living in Toronto have remained in the Scottish singer-songwriters’ set lists, it’s just that they’ve been newly polished up through being played in a band setting. The presence of a rhythm section and additional guitars has changed them enough to make Grozier keen to record them – and it’s easy to hear why. Continue reading “Steve Grozier “Take My Leave” (Batcat Records, 2016)”
Excellent Australian indie-folkers touring the UK soon.
Acclaimed North Carolina folk-Americana trio Underhill Rose have announced November Ireland/UK tour dates promoting their new album “The Great Tomorrow.” To coincide with the November tour, the group will release its first holiday-themed single, ‘One Time a Year’, again produced by Cruz Contreras (The Black Lillies). Says Underhill: “The overarching idea is that the holidays are a time to be together, no matter who you are or where you live. The song is about gratitude for having that special time each year, and this tour will definitely be a special time for us.” A portion of the proceeds from the sale of the song go to Women for Women International. Continue reading “Underhill Rose Announce UK Dates”
It’s to his credit that David Eugene Edwards has chosen to make his most difficult record for some while. It is midway through the third track, ‘The Hired Hand’ before the unremitting weight is leavened and this is by a chorus which is ‘give up your dead’ repeated. ‘Crystal Palace’ takes the Cure’s ‘Pornography’ as a starting point and achieves the difficult task of matching it for oppressive gloom. Continue reading “Wovenhand “Star Treatment” (Glitterhouse, 2016)”
Pitchfork excitingly reports: “Robin Pecknold has released some songs this year and has maintained that Fleet Foxes are at work on a new record. Today, he shared a snippet of music that’s apparently intended for an upcoming solo album. “FF record kind of crazy/vast so working on ‘putting babies to sleep/living my truth’ palliative solo album on off days,” he wrote. It’s one of a few snippets he’s shared in the recent past, so check out some samples of new music that’s either Fleet Foxes or solo Pecknold below.” Continue reading “Fleet Fox Pecknold Working on New Solo Album”
The fifth album from this American duo is, and there is no other word for it, lovely. They’ve added a band this time out but it’s their playing and singing that dominates, as it should. There are some lovely fragile harmonies, some lovely mandolin work and the whole album is awash with fine melodies. A streak of county classicism runs through their work so that you can hear nods to and influences from everyone from the Carter Family to Emmylou Harris. Continue reading “Mandolin Orange “Blindfaller” (Yep Roc, 2016)”
From the new album A Spanner In The Works.
This is the fifth full length album from this four piece Brooklyn based band the core of which is formed around best friends Louisa Rachel Solomon and Elijah Oberman. Having been in existence since 2006 they have become known for their energetic performances and political activism including forthright views on Jewish issues. The opening track “Everything Good” is an uplifting driving love song which introduces us to the clear and strident voice of lead singer Louisa Rachel Solomon and also the soaring violin of Elijah Oberman. Continue reading “The Shondes “Brighton” (Exotic Fever Records 2016)”