And if you’ve never heard of him, then, well, now’s your chance. Rolling Stone Country report: “In 2005, the Americana Music Association awarded Song of the Year to “Worry Too Much,” a grinding rock & roll gospel number that opens Buddy Miller’s Universal United House of Prayer LP. While the song contains all the earmarks of a classic Miller tune, its author was Mark Heard, whose intensely poetic lyrics radiated with Dylanesque flourishes and whose influence can be heard throughout Miller’s most raw, confessional work. Continue reading “Buddy Miller, Drew Holcomb appear on new Mark Heard tribute album”
The rules are there are no rules. These seem to be the only guidelines followed by David Olney in the creation of ‘Don’t Try To Fight It’, the latest addition to his considerable catalogue that covers over 40 years recording. Olney is described as something of a ‘Renaissance man’ being not just a recording artist, but Shakespearean actor, writer of sonnets, radio show host in Nashville and online blogger. Clearly a man of considerable talent and interests then and that shines through in ‘Don’t Try To Fight It’, an album that defies easy categorisation. Continue reading “David Olney “Don’t Try To Fight It” (Red Parlor Records 2017)”
Round up a country band and an early R&B group with three lead vocalists, weave in a hefty amount of vocal harmony and witty turns-of-phrase, and let ‘em rock out like The Band. The sound of roots music mavericks Western Centuries sits at these crossroads, and their debut album Weight of the World introduces the band. Comprised of Seattle-based country musician Cahalen Morrison, jam band veteran Jim Miller (co-founder of Donna the Buffalo), R&B and bluegrass-by-way-of-punk rock songwriter Ethan Lawton, pedal steel player Rusty Blake, and bassist Dan Lowinger, Western Centuries are clearly a diverse bunch. Continue reading “Dirty Dozen: Western Centuries”
A better surprise than say Steps crashing your wedding do (as zeitgeist as they are these days, it could be Ryan’s next big covers project). NME reported over the weekend: “Ryan Adams joined John Mayer on stage in Los Angeles this Friday (21 April) to perform his track ‘Come Pick Me Up.’ Adams, who released his 16th studio album Prisoner in February, joined Mayer on stage at the Forum in Los Angeles to play the track from his debut solo album, ‘Heartbreaker.’ Continue reading “Ryan Adams plays “Come Pick Me Up” with John Mayer – Watch”
A great video from the wonderful Robyn Hitchcock’s new album, released last week and given an entirely justified 9/10 yesterday on this site.
Curse of Lono’s show at The Water Rats was a launch for their anticipated debut album Severed. The venue has a rich history, Marx and Lenin are both reputed to have frequented the place during their respective times in London and Bob Dylan played his first UK show here in 1962. This, coupled with the band sharing their name with a Hunter S Thompson book, led me to wonder whether to expect something unusual, intellectual, dangerous or deranged. What I got was a bit of each from Curse of Lono, a London based five-piece band consisting of Felix Bechtolsheimer and Neil Findlay both from Felix’s former band Hey Negrita, plus Joe Hazell, Charis Anderson and Dani Ruiz Hernadez. Continue reading “Curse of Lono, The Water Rats, London, 20th April 2017”
Oceans are Zeroes impinge a power-pop sensibility on the hugest Mogwai-meets-Mercury Rev songs imaginable creating a wall of rock sound backdrop behind high and steely vocals. The initial effect is to be bowled over by a veritable tsunami of sound, breaking on the beaches and throwing out sparkling rockets rather than more humdrum flotsam and jetsam. It’s infectious and initially exhilarating, such an insistent rush of music. Continue reading “Oceans are Zeroes “Oceans are Zeroes” ( Independent, 2017)”
Taken from Red Moon Joe’s forthcoming album “Time and Life” All proceeds from sales of this single to the Orgreave Truth and Justice Campaign. The song is available via all major online retailers and all the proceeds go to the charity.
Although Kelly Sloan is new to these shores her 2016 album Big Deal was in fact her third following her 2008 debut Always Changes and 2010’s Kelly Sloan. Accomplished on both guitar and piano, her influences range from folk to country through vintage 50s & 60s pop rock. I caught up with the award winning Canadian singer-songwriter just before her final UK date of a European tour that will take in Italy, Sicily, Switzerland and Luxembourg. Continue reading “Interview: Kelly Sloan”
The church has a profound effect on some people. For BC Camplight it drove him to greet his audience with a handshake at the south porch as they left. Earlier I wasn’t too sure Camplight was an artist just right for Americana UK but soon my fears were relieved when I spotted a writer from a rival website tapping away on his Samsung in the opposite corner. And then Camplight played Your Cheating Heart, a foot stomping version on the church piano that he used throughout the set. Continue reading “BC Camplight, St Pancras Old Church, London. 20th April 2017”