The new single from The Blinding Lights is not only excellent but it’s free to download from their website here https://www.theblindinglights.co.uk/. They ask that if you do so you make a donation to Refugee Action, as worthy a cause as you’ll find.
This is a highly satisfying slice of blue collar Americana, with grit and grace in just the right ratio. Dupas may be from the home of the Stooges and MC5, but instead he chooses to kick out the classic Steve Earle-esque jams in a contemporary manner not too dissimilar to the likes of Sturgill Simpson. Even the album’s title guides us to points South, as Ed pays respect to the Volunteer State. Continue reading “Ed Dupas “Tennessee Nights” (Independent, 2017)”
Darlingside are an American folk band starting to make quite a stir after a bumped higher up the bill appearance at last year’s Cambridge Folk Festival earnt them a lot of new fans this side of the pond. They’ve been back for some tour dates and brought along a friend – the woman described as their “Big Sister” – who provided the opening support set. Caitlin Canty is a Vermont girl gone Nashville, and sings modern folk songs tinged with a fairly generous helping of country. She’s enjoying being in the UK – commenting that if she lived here she’d be writing train songs instead of ones featuring cars as an escape. Get Up is her standout song, with its thrumming guitar line and insistent lyrics “Get up get up get up / no time to rest or run for cover / Get up get up get up / before the road pulls you under” which restlessly hints at a chaotic scramble away from an unbearable situation. Continue reading “Darlingside, Union Chapel, London, 3rd July 2017”
The Parisian musical collective deriving from the cult band Jack The Ripper is releasing its first album under the Valparaiso alter ego on September 22nd, featuring the voices and poetry of Phoebe Killdeer of Nouvelle Vague, Howe Gelb, Shannon Wright, Spain’s Josh Haden, Dominique A, Moriarty’s Rosemary Standley, Venus’ Marc Huyghens, Mansfield Tya’s Julia Lanoë. The album is recorded, mixed and produced by John Parish. The first track to be released from it features a duet between guests-singers Phoebe Killdeer of Nouvelle Vague and Giant Sand’s Howe Gelb. The video which you can watch below has been directed by filmmakers Richard Dumas and Amaury Voslion who comment on the minimalistic black and white clip starring a young lady eating savagely a bloody pomegranat (nice) while taking her bath: ”To drown or not to drown… Are you experienced?” Continue reading “Valparaiso featuring Howe Gelb release debut album September”
Australian native and notorious traveller Stu Larsen returns with his second full-length album ‘Resolute’ following his 2014 release ‘Vagabond’ which saw his brand of folk-pop gather praise for it’s simplicity and it’s lyrical honesty and he continues down the same path on his newest release. The most notable thing about Stu Larsen’s music is the seemingly quintessential British accent evident throughout which is unexpected from an Australian, and being a friend and touring partner of Brighton’s Passenger, the comparisons between the two are too easy however, Larsen brings a certain innocence and relatability to the table which sets him apart from the majority of the singer-songwriter genre. Continue reading “Stu Larsen “Resolute” (Nettwerk Music Group, 2017)”
It’s been five years since John Murry appeared set to build on the accolades garnered by his album, The Graceless Age, a sublime record which took the raw material of his unsettled life (and near death from an overdose) and turned it into art. It was not to be however as events conspired and he ended up, as he saw it, in exile in Ireland with only occasional forays into the limelight. A man haunted by his past and somewhat rudderless, he was still capable of turning in fine songs and remained a compelling live performer but The Graceless Age owed much to Murry’s co-producer, Tim Mooney, and Mooney’s sudden death as the album was released was just one hammer blow to Murry’s newfound stability. On A Short History Of Decay he appears to have found a replacement of sorts to Mooney in the form of Michael Timmins of The Cowboy Junkies, a fan of Murry’s but also a man able to corral his wayward genius. Continue reading “John Murry “A Short History Of Decay” (TV Records, 2017)”
The new official UK americana chart is out and Peter Perrett’s “How the West Was Won” on Domino is the highest new entry at number 2, a surprise hit from the ex Only Ones frontman. Meanwhile Danny and his Champs go in at number 6 with their epic new double album “Brilliant Light” and Glen Campbell remains at number one with “Adios”. The only other new entry in the top 40 is Sonny Landreth’s “Recorded Live in Lafayette”. Continue reading “Danny & the Champs enter official UK americana chart”
From his new album Tackle Box out on August 11th comes this brilliant and incendiary track. NSFW.
This is a really fascinating release. It’s actually two soundtracks for two different projects. The first fourteen tracks are the soundtrack for “Intersection”, a short film made by American director Brendan Beachman and the second eighteen tracks (yes, you get 32 tracks on the album) are from the soundtrack to “Inside the Ku Klux Klan” from award winning documentary maker Daniel Vernon. Continue reading “Bob Keelaghan and Muerte Pan Alley “The Soundtrack to Intersection” (SAP Recordings, 2017)”
The lovely people at NPR Music have got a stream of the new album by Offa Rex, a side project from the Decemberists with English folk singer Olivia Chaney (no relation to Dick) (partly because they spell their surnames differently). They say: “The Queen Of Hearts is the title of Offa Rex’s debut album, which features the musicians in The Decemberists backing up Chaney, who assumes lead vocalist duties. It’s a match made in folk-rock heaven. Like similar team-ups of yore — most notably the legendary pairing of The Albion Band and Shirley Collins in the early 1970s — Queen is an interpolation of vintage British Isles folk music as filtered through electric guitars and a sinewy rock backbeat. The result is both a tribute and translation, connecting the dots between contemporary indie music and a deeper cultural legacy. Continue reading “Stream new Decemberists side project Offa Rex album”