Nick Heyward “Woodland Echoes” (Gladsome Hawk, 2017)

Those of you who still remember Nick Heyward from his days fronting Haircut 100 (humorously described in the press release as a New Wave group) may be surprised by this record, but anyone who has paid attention to what he’s done since won’t be. Ever since his first few solo singles like Whistle Down the Wind, he’s been moving away from the itchy pop funk that made him, the only echo of it here being the opening bars of The Stars. This record is full of naturalistic images. So thickly does he lays it on that he makes Thomas Hardy seem like Elmore Leonard. There’s the sound of birdsong at the start of Beautiful Morning, which unfolds like a flower welcoming the sun, then goes mildly rococo with the detail, bucolic 100. Continue reading “Nick Heyward “Woodland Echoes” (Gladsome Hawk, 2017)”