So the votes are in and it’s all change this year as a new roster of artists take over the pole positions in our survey of what’s rocked your boat over the last 12 months – the site has always been proud to support independent music and it’s great to see so many artists who aren’t household names, some of whom have been around for some time, take the honours. Thank you for all your kind comments regarding the site and particularly those about the monthly CD which some of you are generous enough to still donate for. We’re taking our annual break for the holidays and will return the first week of January. In the meantime, a very happy Christmas to all our readers and wishing you all the best for 2017. And now, here’s those results. Continue reading “Americana UK’s Readers Poll 2016 – the results!”
Lundberg’s past as frontman for Soundtrack Of Our Lives (and the much missed Union Carbide Productions) gives us some clues as to what to expect from this solo effort. UCP were heavily indebted to the Stooges and MC5 but it’s another 60’s icon that this set sidles up to; there are definite vapour trails of Love throughout these songs, the strong melodies and the meandering freewheeling flights of fancy straight out of Arthur Lee’s playbook. ‘Beneath the Winding Waterway‘ is a gentle semi-psychedelic trip which is instantly memorable with enough complexity to reward repeated listens. The chief attraction of this record is letting the songs worm their way into your mind – it’s the kind of record that inserts little shards in your memory so you go back to complete the mirror and go through it. Continue reading “Ebbot Lundberg & The Indigo Children “For The Ages To Come” (Haldern Pop Recordings, 2016)”
They wear white shirts and black suspenders, black pants and travellers’ hats. They sing about murderous, estranged spouses and runaway lover cousins in a boot-stomping acoustic configuration that includes banjo, mandolin, cello and guitar, some whistles, hoots and hollerin’, and finger snappin’. Sometimes their fans dress up like them too and dance and sing the night away – but that’s not mandatory. The Dead South — Nate Hilt (lead vocals, guitar), Scott Pringle (mandolin, vocals), Colton Crawford (banjo) and Danny Kenyon (cello) — are fun, modern hillbillies from Regina, Saskatchewan (that’s in Canada btw), who can make you forget your troubles and even what century you’re in. Continue reading “Dirty Dozen: The Death South”
More videos from Monday 9 January but for now a Merry Christmas to all our viewers.
Singer-songwriter Chris James unique blend of stunning cinematic-folk on his new EP Space In The Clouds, is out now via AWAL. The EP is about overcoming a difficult, dark period in his life and musically James combines influences from his days as lead singer songwriter of electro-rock pioneers Stateless with folk and modern electronica. Continue reading “Dirty Dozen: Chris James”
The Blue Aeroplanes return with their most stable line-up to date to proffer up a collection of agitprop poetry set to jangly indie rock. Lead singer, poet and founder member Gerard Langley remains unimpressed by the whole music business model; his thoughts are delivered with an uncompromising aggressiveness – and if the listener doesn’t like it then the listener can take a hike. This is art, and it doesn’t have to explain itself, it doesn’t need to be comfortable – maybe you’ll get it, maybe you won’t, maybe you’ll agree with it, maybe you won’t: either way why should The Blue Aeroplanes care? Continue reading “The Blue Aeroplanes “Welcome Stranger !” (Independent, 2017)”
Although you, AUK reader, probably have, or some of them at least. And if you’re thinking “why don’t I just head over to RS Country for all my americana news?” then pause. We’re saving you from some country you absolutely don’t need/want/have to be exposed to, like a Brita filter but for music. Another nice list here (we loves lists) which includes the likes of Rorey Carroll, Luke Bell and Dylan LeBlanc who melds a Seventies sensibility with a taste for the soothing, locomotive Southern blues.” Head here for the article.
In May 2016, Sam Jordan & The Dead Buoys released their debut When Golden Morning Comes E.P. The melancholy soundscapes and dark folk-tinged romanticism heralded the arrival of a very distinctive voice and a talented songwriter. However, it’s the forthcoming Thoughts of Paradise E.P. that sets Sam Jordan & The Dead Buoys apart as the creative, experimental force they are. Continue reading “Dirty Dozen: Sam Jordan and The Dead Buoys”
Party country from the Pacific Northwest, this is the real country music. An eight-piece honky-tonk band with a focus on the hard-edged, hook-laden, close-harmony country sound of the west coast, Country Lips has been called many things: “legendarily wild,” “a merry band of shitkickers,” and “the pick-me-up line of speed country needs to start kicking ass again.” Continue reading “Dirty Dozen: Country Lips”
Joanna Weston writes from the heart and will have you hung on every word. Her finely woven melodies wrap around the lyrics perfectly, taking you on a journey through beautifully crafted life experiences we can all identify with. But it’s the voice that is most remarkable. Clear and unmistakable, Joanna’s unique sound is at times vulnerable, but always enchanting. Continue reading “Dirty Dozen: Joanna Weston”