Hailing from Austin Texas, Scott H. Biram brings a distinctive elemental country blues sound to his latest album, ‘Sold Out to the Devil: A Collection of Gospel Cuts by the Rev. Scott H. Biram’, on which he plays all instruments and provides both lead and backing vocals. As the title suggests, this is a collection of songs with a strong gospel thread, but we are in the realm of struggles for salvation more than simple praise for the Lord.
Continue reading “Scott H.Biram “Sold Out to the Devil: A Collection of Gospel Cuts by the Rev. Scott H. Biram” (Bloodshot Records, 2019)”
‘Tin Foil Stars ‘ is the debut five track EP by Florida based Horace Holloway, the recording alias of Jeffery Morrison, and a very promising debut it is too. Featuring strong support from players including Caitlin Cary (Whiskeytown), Neil Franz (Gram Parsons, Emmylou Harris) and Brett Williams (Mighty Joe Plum), the EP is characterised by strong song writing, often introspective but with a positive take reflected in mostly up tempo and up beat arrangements, which are at their strongest when augmented on the opening track ‘King of Diamonds‘ by Morrison himself on harmonica, by sideman Mark Robertson-Tessi who plays very tasty mandolin on ‘Paper Heroes’, and by pedal steel player Neil Flanz. Continue reading “Horace Holloway “Tin Foil Stars” (Dirtleg Records, 2019)”
‘Let It Burn’ is the third studio album from GospelbeacH, the LA based band led by singer-songwriter, Brent Rademaker (formerly of Beachwood Sparks), and the follow up to ‘Another Summer of Love’ (Shindig! magazine Record of the Year 2017). Making a major contribution to the album is guitarist Neal Casal, best known for his work with Ryan Adam’s Cardinals, who sadly passed away aged 50 in August this year, having rejoined GospelbeacH for this record, and his virtuoso playing is a strong element of this album. Continue reading “GospelbeacH “Let It Burn” (Alive Naturalsound Records)”
‘Between Stones’, the latest album from Owen Tromans, based in Hampshire, has one foot firmly in the folk/progressive rock genre, but also has echoes of Neil Young that take it closer to the home territory of Americana. The latter is best heard in the prevailing sense of foreboding in ‘Mark Pales Ghost’ and the moving ballad ‘Burying the Moon King’, but Tromans’ vocal style has a strong hint of Young’s delivery on many of the album’s tracks. Continue reading “Owen Tromans “Between Stones” (Sacred Geometry, 2019)”
Hailing from Houston, and now LA based, this is the first full length release from Jason Hawk Harris, and some first release it is. Though clearly showing its writers’ country and alt-country roots, a wide range of influences outside this core is evident in this exceptionally well produced album, with compelling vocals from Harris.
Continue reading “Jason Hawk Harris “Love & the Dark” (Bloodshot Records, 2019)”
‘Vultures’ is the second album from Justin Mills, hailing from Dallas Texas, performing as Levees. The album features a stripped back sound on guitar and banjo, with sparse arrangements reminiscent of Willie Watson’s recent solo albums. Flagged as a concept/narrative album, it is the story of two runaways, with high hopes fading as their road trip crosses the western USA. Continue reading “Levees “Vultures” (Leveesfolk, 2019)”