Some music requires repeated listening and reflection to grasp the artist’s intent. This album is not one of those. It is simply a joy to listen to from the very first time you hear it. Whether this is because it is a well-selected compilation or because we are already so familiar with traditional music is unimportant. Tui have taken old-time music and made it at once fresh and vibrant. Continue reading “Tui “Pretty Little Mister” (Hearth Music, 2019)”
This is the first solo album by Bard Edrington V and it has the inescapable air of creative freedom. The written style encapsulates a strong sense of time and place and his storytelling approach is acutely observational, which when coupled with the range of musical styles he has mastered, intermingle to capture the listener and carry them with him on his journey. Continue reading “Bard Edrington V “Espadin” (Independent, 2019)”
It has been four years since Robert Forster released ‘Songs to Play’ and he has, as ever, taken “time to do my thing”. This has resulted in an album that is constrained in style yet expansive in personal expression. Each song captures a distinct emotion through the use of the literal to detail a moment, acutely observed.