Jimbo Pap “It Can Always Get Worse” (Fiesta Red Records, 2019)

The debut album from Jimbo Pap occupies the border territory between outright country and indie rock. Gram Parsons is name-checked in the first song and somewhere along the way, Wilco passes through the mix. Jimbo Pap went from a solo project to a regular band with the three core members providing the name (Jim, Bo and Pap). They bring a fine pedigree to the band and their respective backgrounds are evidenced in the overall style. The sound typically juxtaposes wry humour with a jaunty up-tempo country musical composition. Continue reading “Jimbo Pap “It Can Always Get Worse” (Fiesta Red Records, 2019)”

Tui “Pretty Little Mister” (Hearth Music, 2019)

Some music requires repeated listening and reflection to grasp the artist’s intent. This album is not one of those. It is simply a joy to listen to from the very first time you hear it. Whether this is because it is a well-selected compilation or because we are already so familiar with traditional music is unimportant. Tui have taken old-time music and made it at once fresh and vibrant. Continue reading “Tui “Pretty Little Mister” (Hearth Music, 2019)”

Bard Edrington V “Espadin” (Independent, 2019)

This is the first solo album by Bard Edrington V and it has the inescapable air of creative freedom. The written style encapsulates a strong sense of time and place and his storytelling approach is acutely observational, which when coupled with the range of musical styles he has mastered, intermingle to capture the listener and carry them with him on his journey. Continue reading “Bard Edrington V “Espadin” (Independent, 2019)”

Robert Forster “Inferno” (Tapete Records, 2019)

It has been four years since Robert Forster released ‘Songs to Play’ and he has, as ever, taken “time to do my thing”. This has resulted in an album that is constrained in style yet expansive in personal expression. Each song captures a distinct emotion through the use of the literal to detail a moment, acutely observed.

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