‘Chasing Lights‘ is the debut album from this British-born duo, and what a debut it is; showcasing a depth and breadth of talent as well as a range of styles, from tender folk to swaggering rock and roll. Now based in Nashville, the pair have their feet planted firmly in the fertile soil of American roots music. Even their band name, Ida Mae, comes from an old Sonny Terry and Brownie McGhee song, and this heritage courses through the record with dazzling vitality. Continue reading “Ida Mae “Chasing Lights” (Thirty Tigers, 2019)”
The opening track of singer-songwriter Harrison Whitford’s latest album starts off with some gentle strumming and tender, vulnerable vocal work. So far so average. Then the drums kick in, along with backing vocals, the fuzzy electric, and it all comes together. ‘Take a Walk‘, the opening track, sets the bar high. It lifts itself above the standard singer-songwriter dirge with some excellent production, instrumentation, and a chorus that sticks in your head.
The opening to ‘Wooh Dang‘, Swedish musician Daniel Norgren’s eighth record, drifts dreamily into focus. With a mixture of birds and ambient nature sounds, as well as strange sci-fi noises, it sounds like a BBC sound effect archive mash-up. Then, somewhere in the background, Norgren’s high pitched vocal and guitar playing seep in. Before you know it you’re snapped into the next track, ‘The Flow‘, and pulled along into this sun-soaked dream river of an album.
David Rawlings is best known for his work with Gillian Welch, with whom he creates achingly beautiful and melancholy music. The couple were part of the Bluegrass Class of 2000 who suddenly found that they had mainstream appeal after the huge success of the Coen Brother’s ‘O Brother, Where Art Thou?‘ At that point, Rawlings and Welch had already recorded two albums with legendary producer T Bone Burnett, who also produced the ‘O Brother…’ soundtrack. They weren’t exactly flying under the radar, but the impact on the Coen brothers film cannot be understated. The follow up documentary ‘Down From the Mountain,‘ followed the various artists involved in the soundtrack, including Rawlings and Welch, culminating in a concert at the Ryman in Nashville. This was wildly popular and paved the way for bluegrass-influenced bands like Nickel Creek to enjoy massive mainstream popularity in the early 00’s. Continue reading “AmericanA to Z – David Rawlings”
California local Derek Senn took a weird and winding way into music, having a few early brushes with the guitar but not really picking it up seriously until his thirties. Armed with a sudden desire to write songs, he started working away diligently down in the song mine, the subject of the tenth track on ‘How Could A Man‘, his third album to date. The hard work has clearly paid off, because this is a heartfelt, funny, brilliant piece of work. Continue reading “Derek Senn “How Could A Man” (Independent, 2019)”
A Starving Viking is the stage name of singer-songwriter Matt Jarrett. A New York state native, he has spent a career in New York City working as a filmmaker and editor. A late-comer to folk music, he has taken Dylan and Nick Drake into his core and used music as a fresh outlet for his creativity. Continue reading “A Starving Viking “Semblance” (Resonating Wood Recordings 2019)”
‘I won’t fail you when I walk out on the wire,’ sing South Carolina natives Carry Ann Hearst and Michael Trent, AKA Shovels & Rope, and it’s not just talk; they really walk the walk. The husband and wife duo are veterans of a decade long career, touring, curating the excellent High Water Festival for the past few years, recording everything themselves in their home studio, and above all producing consistently brilliant music. Their latest offering ‘By Blood’ is no exception to this trend. Continue reading “Shovels & Rope “By Blood” (Dualtone Music, 2019)”
This latest sonic offering from the journeyman songsmith Brad Byrd is somewhat middle of the road in places, but has charm, and moments of soaring brilliance. Describing his music as somewhere between indie-rock and alt-country, California resident Byrd has been writing songs his whole life, and that certainly comes through in the polished sound of ‘Phases‘, which is an album of self-examination. The songs take us all the way from Byrd’s childhood in Massachusetts to the sun-soaked hills of California where he lives today, exploring a number of elements drawn from personal experience. Overall, it’s a record which documents the ups and downs of life, and the strange melancholy experienced when reminiscing about a long lost past. Continue reading “Brad Byrd “Phases” (Elusive Tiger, 2019)”
Pete Gow, veteran frontman of the acclaimed Case Hardin, has recorded his first solo record ‘Here There’s No Sirens.’ Released on the same label as Case Hardin, Gow’s sound is a deliberate departure from the band’s usual fare. This album is stripped back, focused, and deeply personal. The songs are a mixture of an almost confessional style, with some character driven tracks and one good old fashioned story song, ‘Some Old Jacobite King’. Continue reading “Pete Gow “Here There’s No Sirens” (Clubhouse Records, 2019)”
Henry Elis is a stalwart of the Los Angeles metal scene, fronting many bands over the years, and currently lead vocalist for the trash metal supergroup “Act of Defiance“, which was formed by ex-Megadeth memebers Chris Broderick and Shawn Drover. Within the context of this background, the theatricality of “The Devil Is My Friend” starts to make sense. Clearly strongly influenced by heavier genres, Elis is pushing his own brand of dark ‘southern gothic americana’. We are invited Continue reading “Henry Derek Elis “The Devil Is My Friend” (Independent, 2018)”