From the AUK Archives: VERSIONS – “Long Black Veil”

A few years ago AUK ran a series called VERSIONS. It basically did what it says on the tin and invited our writers to celebrate both the original and some of the best covers of classic songs. It was such a great feature we’ve been toying with the idea of bringing it back. What do our readers think? Anyway, here’s a taster with one of my own contributions to the series.

When Danny Dill and Marijohn Wilkin wrote ‘Long Black Veil’ in 1959, they probably had no idea just how enduring the song would be. Since Lefty Frizzell’s original version, it has quite literally been covered by hundreds of artists and is probably one of the most covered songs in country music. Choosing just three covers was therefore a quite daunting task, especially when considering some of the names that didn’t make the cut. These include such iconic artists as Bob Dylan, Bruce Springsteen and The Band. Whilst most versions are broadly in the country/americana field, you can also find versions by acts as far removed from the genre as Nick Cave, The Stranglers, The Black Crowes and Diesel Park West.

As you might expect, there have also been some absolute howlers too. Check out (if you dare!) versions by Diamanda Galas, The Dave Matthews Band and possibly worst of all, The Chieftains with Mick Jagger. But enough of this frivolity – let’s get down to business.

Lefty Frizzell (1959) This is where it all started. Lefty Frizzell’s original version was released in April 1959 and made it to No.5 on the US country chart. Not exactly a barnstorming entrance and certainly not one that would indicate that the song would still be being regularly covered sixty years later. The performance was not typical of a Lefty Frizzell record. He was better known for a more traditional honky-tonk sound than the emerging ‘Nashville Sound’ that ‘Long Black Veil’ tips its hat towards. Can you ever better the original? Well rarely I would say, and in this case probably not, but judge for yourself with the original as your litmus paper.

Johnny Cash (1968) The Man in Black, included the song in his set recorded live at Folsom Prison in 1968. The darkness of the song fits the setting perfectly and although he played and recorded it many times, none have the same spine-tingling edge of the Folsom Prison recording. A year later Cash performed the song as a TV duet with Joni Mitchell which is certainly worth a watch, as is a 1993 live version with Kris Kristofferson, both available on YouTube. Daughter Rosanne Cash has also recorded the song and versions can be found of her playing it with Levon Helm and also with Jeff Tweedy.

The Seldom Scene (1990) So why, with the multitude of versions available, would a relatively obscure one, albeit by bluegrass royalty be included here? There are many bluegrass versions of the song from Bill Monroe himself to Robert Earl Keen’s inclusion of the song on his 2015 bluegrass album ‘Happy Prisoner’. The song lends itself to bluegrass particularly well and I know of no better version than the Seldom Scene’s. They recorded the song in 1993 for their ‘Scenic Roots’ album. It has perfect pace, beautiful instrumentation and haunting harmonies. A wonderful version.

Sean Rowe (2015)  So many artists have gone to ‘Long Black Veil’ as a cover version of choice to include in live sets, without ever formally recording it. Sean Rowes’s sparse version recorded for Pittsburgh’s ‘Yellow Couch Sessions’ is a case in point. I can find no evidence of him having released a version of it, it’s certainly not on any of his albums. Many other artists will have played ‘Long Black Veil’ live, including it in sets or encores, but few will have achieved the beauty or intensity of Sean Rowe’s version here.


>>> Please help to support the running costs of Americana UK, run by a dedicated team in our spare time, by donating £2 a month to us - we'll send you an exclusive 20 track curated playlist every month plus the opportunity to win our monthly giveaway. Click here for more information.

About Clint West 262 Articles
From buying my first record aged 10 and attending my first gig at 14, music has been a lifelong obsession. A proud native of Suffolk, I have lived in and around Manchester for the best part of 30 years. My idea of a perfect day would be a new record arriving in the post in the morning, watching Ipswich Town win in the afternoon followed by a gig and a pint with my mates at night,

3 Comments

Leave a comment..

This site uses Akismet to reduce spam. Learn how your comment data is processed.