Reflective psychedelic folk in step with the natural world.
It is hard to believe Midlake have been around for a quarter of a century, such is the originality of their blend of folk and psychedelia. For a band from Texas they still sound rooted in a very English progressive folk. Jethro Tull are cited as an influence which makes sense. The upheaval of founder Tim Smith’s departure has long abated as guitarist and backing vocalist Eric Pulido emerged as the frontman. Typical of their deeply reflective style the band has pondered its future more than once but if this sixth release is anything to go by, we must be relieved they stayed the course.
If ‘A Bridge To Far’ can be summed up in a single word it is hope. As Pulido explains, “Hope is a need. To look beyond, above what is. We can all relate on many varying levels”. Though relaxed and almost other-worldly Midlake’s music can come across as complex. If so that is unintentional as Pulido stresses the band tries not to overthink.
A characteristic of Midlake is their blend of human emotion such as persistence or humility with the natural world.‘Days Gone’ plays a sense of personal struggle against the calmer rhythms of the sun, moon and stars. Gentle flute sheds beams of light through which soft harmonies twinkle. Acoustic guitar expands into a full arrangement less folk in a more prog rock direction. Hope and honesty also shine through, ‘The Calling’ urges no deviation from one’s true path. If the destination is less clear the pace and rapidly rising harmonies that build to a crescendo of sound indicate there is no time to lose in getting there.
A guest appearance from Madison Cunningham on ‘Guardians’ gives a lighter touch to album’s vocal intensity. The meandering course of the song, its call and response add further dimensions to an already full soundscape. ‘The Ghouls’ reflects a sense of uncertainty as the band examine what it is they truly seek. As the title might indicate there is a ghostly feel, not so much swirling around but a full-on storm. The band examine their own beliefs in the greatest depth, and similarly best effect, on ‘The Valley Of Roseless Thorns’. Meditative but short. If the vocals vocals tail off into the ether that brevity contains hope and determination, both ideal ways to close a fine album.
