Video: Roseanne Reid “Call It Love”

Rosanne Reid conjures Memphis in the joyous video for ‘Call It Love’.  Filmed in a recording studio Reid stands alone at the mic and delivers the type of southern groove that Justin Townes Earle slipped easily into.  But there is no addiction-addled melancholia here, the joys of new parenthood seep into every corner and crevice of the track.  This is the first single from her sophomore album ‘Lawside’.   Working close to home with producer-engineer Dave Macfarlane the album was recorded during the tail end of the Covid lockdown era.

On writing the track Reid reflects, ’Call It Love’ was the natural choice as the lead track,” she says, “but I’d love to put ‘Mona Lisa’ out as a single. It’s got that Celtic singalong feel to it, with the fiddle and accordion and bodhrán drum, instead of a full drum kit. I started writing it about four years ago, and I went months without finishing it. I really liked the first verse and I said to my wife that I wanted to get it done, so we set aside a day to finish it. So, it’s co-written with my wife, which is totally unique in itself.”

 

About Ed Donnelly 146 Articles
Ed Donnelly is a multi-instrumentalist, recording engineer and record producer from Los Angeles. He has worked with Willie Nelson, Crowded House, Marc Cohn, Jools Holland, Matchbox Twenty, The Cult, BoyHaunt, Gladys Knight, Trent Summar and The West Coast Mob, Smashing Pumpkins, Del McCoury, OK Go, Exodus, Molly Leach, Tom Morello, O.A.R., Madness, The Crystal Method, DrunkHungry, Deadmau5, Zac Brown, CrysP Tyger, Bighead Todd and the Monsters, Jake Shimabukuro, Barenaked Ladies, Tsar, Killola and more. Donnelly regularly performs with Nathan Jacques as well as Little Silver Hearts and records with GhostsDream. Little known fact: He previously held Top Secret Security Clearance with the U.S. Department of State and Q Clearance from the Department of Energy. He currently runs The Barber’s Basement Recording Studio in Highland Park and is a partner in The Atmos at Lemontree Studio.
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