Pete McClelland “Carolina Sky” (Hobgoblin Records, 2017)

Pete McClelland is a busy man. He is a member of two folk bands, The Blackthorn Band and ThingumaJig as well as being a founder member of country outfit Montana Rain. Along with wife Mannie he has spent much of the last 40 years criss-crossing North America and, if journeys of that magnitude were bound to open his ears to a vast range of musical influences, then it is firmly in country, and Nashville in particular, that McClelland has pitched his flag on this debut solo release. Continue reading “Pete McClelland “Carolina Sky” (Hobgoblin Records, 2017)”

Case Garrett “Aurora” (Independent, 2017)

Born in Missouri, with an itinerant upbringing, Case Garrett has taken a long road to get to the point where he is able to release his debut album. Playing music before he reached double figures and in his own band by the age of 10, Garrett soon fell into a familiar mix of music and alcohol. With the early death of both brother and sister from ‘drinking and such’, and with a young son to support, he turned back from the brink and found a bedrock in his music. Continue reading “Case Garrett “Aurora” (Independent, 2017)”

Jessica Lea Mayfield “Sorry Is Gone” (ATO Records, 2017)

There are times when great pieces of music can be produced out of the most unlikely source material. As, in her own words, the poisonous marriage of Jessica Lea Mayfield unfolded before her eyes, she started to write lyrics that began to reclaim her life as she reflected on years of domestic abuse. As the songs took shape they acted as therapy and the end product is a searingly open and honest piece of work. Continue reading “Jessica Lea Mayfield “Sorry Is Gone” (ATO Records, 2017)”

Thunder and Rain “Start Believing” (Independent, 2017)

Thunder and Rain are a four piece from Golden, Colorado who describe their music as an exploration of rock and country music using bluegrass level acoustic musicianship. There are songs here, particularly those that highlight the mandolin of Pete Weber and the lap steel of Chris Herbst, where the music does indeed have a hint of bluegrass running through it but the overall feel of the album is more akin to country pop. Continue reading “Thunder and Rain “Start Believing” (Independent, 2017)”

The Winterlings “American Son” (Independent, 2017)

The history of popular music is littered with chance encounters and the random coming together of artists but surely the Buddhist fire ritual that brought Wolff Bowden and Amanda Birdsall together must be right up there as one of the most unlikely. The Winterlings were borne out of that chance encounter and a move to the wilderness that is the Pacific Northwest seven years ago has subsequently given birth to a creative and productive partnership that continues with the new album American Son. Continue reading “The Winterlings “American Son” (Independent, 2017)”

Thea Gilmore, Winchester Science Centre Planetarium, 22nd September 2017

The unique and atmospheric venue that is the Planetarium at The Winchester Science Centre was the setting for Thea Gilmore to showcase her new and critically acclaimed album, The Counterweight. If such a very different stage was always likely to provide the sell-out audience with a memorable evening then that was further guaranteed when Friday evening chaos on the M3 led to what must be the most bizarre warm up ever for a gig – a stomach churning 360-degree feature film projected onto the dome roof, We Are Stars, spanning the formation of hydrogen, nuclear fusion in stars, formation of asteroids, our own solar system and evolution of life from the very first cells. Continue reading “Thea Gilmore, Winchester Science Centre Planetarium, 22nd September 2017”

Prinz Grizzley “Come On In” (Independent Release, 2017)

Prinz Grizzley is Chris Comper, an Austrian with his heart in American music. His rural upbringing helped developed a love and passion for the way of life and the music that this landscape inspires. With an eye across the pond Comper, even when dabbling in indie rock/pop, remained inspired by folk, blues and country. Come on In is the first product of that long-standing influence and sits firmly in the country camp. Comper has written all these songs and, with the thread of Aaron Goldstein’s pedal steel running throughout, it is actually hard to believe that they originate from Austria rather than Nashville. In fact, the majority of the songs are better than much of what currently originates from that mainstream conveyor belt of mediocrity; as if Comper has taken the best of it and used his European filter to deliver a product upgrade. Continue reading “Prinz Grizzley “Come On In” (Independent Release, 2017)”