Jones “Carver’s Law” (Independent, 2019)

Trevor Jones is Jones, the solo project featuring half of the duo Miracle Mile. Following 2016’s critically acclaimed album, ‘Happy Blue’, this is the fifth release from Jones which sees him working again with Miracle Mile other half, Marcus Cliffe. The album title, ‘Carver’s Law’ was inspired by the short story writer and poet Raymond Carter.
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Noble Jacks “Stay Awake” (Independent, 2019)

Noble Jacks have been powering their way through the UK indie-folk scene with new album ‘Stay Awake’ which debuted at Number 7 on the Americana music charts.  The release of ‘Stay Awake’ is a huge moment for the band after the experience of selling our Brighton’s Concord 2 venue for their album release party. The band’s individuality comes from the strong lead of the fiddle. They could so easily have been led by a slide guitar or pedal steel, however, the decision to use a fiddle to play that role really gives them the edge over a lot of bands. Continue reading “Noble Jacks “Stay Awake” (Independent, 2019)”

Interview: Johnny Lloyd

After parting ways with the indie rock band, Tribes, Johnny Lloyd took to the life of a solo musician. First by releasing two EPs by the titles of ‘Dreamland’ and‘Eden’ and has now begun to make his mark on the alt-folk world with his first full-length release ‘Next Episode Starts in 15 Seconds’. Johnny made time in his hectic schedule to speak to me about life since Tribes, including writing for TV and film, his songwriting for the new album, becoming the newest member of the Yamaha family and his ownership of a guitar played by a pioneer of sad alternative 
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Dylan LeBlanc “Renegade” (ATO Records, 2019)

Whenever you’re looking through the liner notes of a record and you see “Producer: Dave Cobb” you know it’s definitely worth a listen. Dylan LeBlanc’s 4th release ‘Renegade’ follows suit. Cobb’s brilliant, signature sound shines through. He has a brilliant way of creating a polished and modern, yet vintage sound. LeBlanc, on the subject of working with Cobb says “I let go almost absolutely and let Dave Cobb do his work. It was a different experience for me—how focused Cobb was and how quickly we would get live takes down.”  Continue reading “Dylan LeBlanc “Renegade” (ATO Records, 2019)”

A.A. Bondy “Enderness” (Fat Possum, 2019)

A.A.Bondy is an Alt-Folk songwriter from Birmingham, Alabama. Bondy was originally the lead singer and guitarist in rock band Verbena, before making the jump to being a solo artist in 2003. ‘Enderness’ is Bondy’s 4th offering, and his first in eight years. Bondy says about the album “I was getting drunk  and watching Wim Wenders’ Wings of Desire and there’s this character Homer who asks: “What is it about peace that makes its story so hard to tell?”  Killers 3 is my answer to that question.” Bondy plays all of the instruments himself on ‘Enderness’ which is being released on May 10th Via Fat Possum Records. Continue reading “A.A. Bondy “Enderness” (Fat Possum, 2019)”

Interview: Ian Craft of The Howlin’ Brothers

Formed in 2005, The Howlin’ Brothers are a 3 piece ole’ time bluegrass and country band based in Nashville, Tennessee. They consist of Jared Green who sings lead vocal and plays acoustic guitar, Dan Swan plays upright bass and Ian Craft who sings lead vocal and plays fiddle, mandolin, banjo and the bass drum. My friendship with The Howlin’ Brothers began during their first U.K tour in October 2014, when they were put up by my Dad and a friend of ours for a few nights whilst they played shows in and around my hometown of Wrexham.  I was lucky enough to set up an interview with Ian Craft after he had just finished playing fiddle for 4 hours at Layla’s on Nashville’s Honky Tonk Highway. Continue reading “Interview: Ian Craft of The Howlin’ Brothers”

John Paul White “The Hurting Kind” (Single Lock Records, 2019)

John Paul White is no stranger to working with high-class musicians and in high-class musical situations. Originally one half of Alt-Folk duo The Civil Wars, John Paul White releases his third solo record ‘The Hurting Kind,’ on Single Lock Records, of which White is a co-founder. ‘The Hurting Kind’ was recorded at White’s new home studio in Florence, Alabama, as well as the legendary FAME Studios in Muscle Shoals. Continue reading “John Paul White “The Hurting Kind” (Single Lock Records, 2019)”

Glen Hansard “This Wild Willing” (Anti-Records, 2019)

This Wild Willing‘ is the 4th solo record by Academy Award and Grammy award-winning songwriter, Glen Hansard. Having originally cut his teeth with Irish band The Frames, Hansard released his first solo album in 2006 and has also written music for the film ‘Once.’ Hansard says about the writing process for this album, “This collection of songs is mainly made up of those that came through while improvising and following the melodic lines and threads.” ‘This Wild Willing’ was written in Paris, recorded at French Black Box studios and produced by David Odlum.  Continue reading “Glen Hansard “This Wild Willing” (Anti-Records, 2019)”

The Goat Roper Rodeo Band “Tall Grass” (Old Pup Records, 2019)

Hailing from Rhuddlan in North Wales, The Goat Roper Rodeo Band release their 3rd album, ‘Tall Grass’. Taking influence from artists such as The Band, Bob Dylan and Gillian Welch, their own brand of country music, which they brand as “Cosmic Country Blues” really refreshes the listener and makes for a mind opening experience.  Continue reading “The Goat Roper Rodeo Band “Tall Grass” (Old Pup Records, 2019)”

Better Oblivion Community Center “Better Oblivion Community Center” (Dead Oceans, 2019)

Phoebe Bridgers is definitely not one to shy away from collaborations. After finishing a tour with female supergroup, Boygenius, she turned her attention to working with Bright Eyes main man, Conor Oberst. Sometimes these collaboration projects can feel a little bit half-cocked and can sometimes sound like the artist’s work that wasn’t good enough to make the cut on their own albums. Thankfully this album doesn’t follow suit. Featuring musicians from Yeah Yeah Yeah’s and Jack White’s band, the pair have gone all out to create what really is a treat for your ears. Continue reading “Better Oblivion Community Center “Better Oblivion Community Center” (Dead Oceans, 2019)”