Comprising of three fifths former Black Crowes’ members and two parts formerly of the Rich Robinson band, it comes as no surprise that The Magpie Salute cut the proverbial mustard with their individual musical chops and on stage at ease confidence. Formed in 2016 after the seemingly non-amicable ship jumping of lead singer Chris Robinson, they could easily (although perhaps not legally) have been named The Black Crowes part two. But with a new name and perhaps a new ethos came The Magpie Salute. Tonight’s opening song, ‘High Water,’ taken from this year’s LP of the same name, intertwines intricate guitar lines on to a roaring chorus as John Hogg shouts out,‘‘The shadow is woken/the challenge is open”. A band mission statement quite possibly. A strutting ‘Mary The Gypsy’ follows with guitarists Rich Robinson & Mark Ford adding to the vocal duties. The same pairing meanwhile lean things a little more towards the Allman Brothers with duelling solos on the slow starting and heavy riff ending ‘For The Wind’. Continue reading “The Magpie Salute + Maker, Portsmouth Pyramids Centre, 10th December 2018”
Author: Martin Fisher
Darlingside + Wildwood Kin, Shepherds Bush Empire, 1st November 2018
Only the occasional faint clanging of the bar can be overheard whilst Darlingside play. The audience are fittingly pin drop silent to embrace all the intricacies the band offer. Huddled up shoulder tight to harmonize around a single vintage condenser microphone, the result is quite magnificent. Over the course of the evening, banjos, fiddles and upright bass are swapped by this multi instrumentalist Boston four piece and whilst that all may sound – so far – so bluegrass – this they are not. As evidence there’s the second song of the night, ‘Eschalton’, aided by loops and notes via a small keyboard sequencer plus some Peter Hook like Rickenbacker bass riffs. There’s more than a sprinkling in the set of their 2018 LP ‘Extralife’. A perhaps more brooding affair than previous releases which they explain as some of the album being written whilst on recent UK visits as they were looking back toward their homeland. “It’s over now, the flag is sunk, the world has flattened out” they sing on ‘Extralife’. Then there’s “Tomorrow’s beginning to take, an equal and opposite shape” from ‘Orion,’ performed whilst a simple spinning mirror ball works a perfect sky gazing ambience. For the stillness of ‘Hold Your Head Up High’ even the dry ice appears to hang onstage without movement. Continue reading “Darlingside + Wildwood Kin, Shepherds Bush Empire, 1st November 2018”
Scott Matthews + Ady Johnson, Wedgewood Rooms, Portsmouth, 4th October 2018.
Whilst heckling of a complimentary nature is probably welcomed by most performers, when the name John Martyn popped up during Scott Matthews’ set there was a mildly perturbing shout of, “You’re better than he is….cos he’s dead!” from the crowd. Welcome back to Portsmouth Mr Matthews, welcome back. With that tumbleweed of a comment however he strummed into the twisting croon of ‘So Long My Moonlight’ and more than a little John Martyn influence revealed itself (understandably given that former Martyn cohort Danny Thompson appears on the 2011 recording). Continue reading “Scott Matthews + Ady Johnson, Wedgewood Rooms, Portsmouth, 4th October 2018.”
John Moreland + John Calvin Abney, Jazz Cafe London, 31st July 2018
Weighty is a good word for John Moreland and that’s no sly childish quip on a guy carrying more than quite a few pounds. Such is his vocal delivery, gritty song writing and overall demeanour that everything on tonight’s Jazz Cafe stage came with a sorrowful and hefty gravitas. Perhaps the only piece of comedy of the night was the board outside advertising him as ‘Blues Guitarist John Moreland’. Well, he does play guitar and he certainly has the inner blues, so then again. Continue reading “John Moreland + John Calvin Abney, Jazz Cafe London, 31st July 2018”
Nathaniel Rateliff & The Night Sweats, Omeara, London, 15th February 2018
Largely due to the success of the crowd rousing (and Father Jack like) ‘S.O.B.’ their “gimme a drink” song, Nathaniel Rateliff & The Night Sweats self titled debut LP sold over a million copies. They were catapulted from Colorado bars to this year’s upcoming Stateside tour of arenas and amphitheatres – The Greek, Red Rocks et al – and more locally soon, three nigh on sell out shows at Shepherds Bush Empire. Continue reading “Nathaniel Rateliff & The Night Sweats, Omeara, London, 15th February 2018”
Ryan Adams + Karen Elson, 02 Academy, Bournemouth, 19th September 2017
In a rare moment of chat towards the end of this show, Ryan Adams took a swipe at a previous live review where he was accused of being self-indulgent. “Man” he proclaims, “That’s like eating a dessert and then complaining that it’s sweet.” He does have a point. Although perhaps Ryan Adams’ stage presence is often closer to shoegaze indie than fist punching stadium, tonight he plays for over two hours straight through and picks from a set list that spans his entire songbook. What more he could or should do, he’d be excused for thinking. Continue reading “Ryan Adams + Karen Elson, 02 Academy, Bournemouth, 19th September 2017”
Karl Blau + The Empty House Band, The Boileroom, Guildford, 24th August 2017
Karl Blau took to the stage adorned in a dark suit that was splashed and stained with Jackson Pollock like whitewash. It’s a decent bet that the suit is something created by himself and indicative in a way of his career path. Based in the small town of Anacortes in Washington State, oyster farmer Blau (and his many associated bands) made many a record as part of the eclectic Knw-Yr-Own/K-Roc Records collective. His introduction to the larger market came via Bella Union’s aptly titled 2016 covers compilation Introducing Karl Blau with many of the songs from that collection featured in tonight’s show. Continue reading “Karl Blau + The Empty House Band, The Boileroom, Guildford, 24th August 2017”
John Murry + Lucas & King, St Mary’s Church, Guildford, 22nd July 2017
Upon arriving at the cobbled graveyard front entrance of St Mary’s church (with the support act having already begun) I could see looking at me in the shadows, by the corner of his tour van, the top-hatted and dark coated, pale thin features of John Murry. Sadistically I felt like requesting that he walk to the church’s rear side where a crowd of backpacked American students were investigating, selfie-ing & photo bombing. The gothic haunted vision of Murry would no doubt have provided them with the exact image they possibly sought. Their biggest surprise however would’ve been finding out this Dickensian non-ghost was actually from their very own shores. Continue reading “John Murry + Lucas & King, St Mary’s Church, Guildford, 22nd July 2017”
The Hellfire Club, The Troubadour London, 20th July 2017
Full credit to sound guy Stacey, the venue owners and the staff for their enthusiastic running of this basement bar of a music venue in London’s West Brompton, the easy option to have the premises solely as a bohemian cafe/bar in the increasingly by the day gentrified area. First of the acoustic support acts is Elliot Pritchard with a very fine vocal and mix of earnest songwriter with British indie melodies. He was followed by Anglo Aussie duo Hux whose dual guitar upbeat riffing combined with fine harmonies was received well by the sold out crowd. The Headliners, the Glasgow based Hellfire Club can only yearn for a wide stage but tonight the eight piece (vocals/guitars/bass/drum/keys/fiddle/saxophone) daren’t move too much due to the small stage limitations. Continue reading “The Hellfire Club, The Troubadour London, 20th July 2017”