Drivin N Cryin “Live the Love Beautiful” (Independent, 2019)

Not seen since 2009’s ‘Whatever Happened to the Great American Bubble Factory’, Drivin N Cryin are back with a powerful and accomplished album produced by Aaron Lee Tasjan. The album, ‘Live the Love Beautiful’ is a great rock album, edgy with punk in places, steeped in fantastic melodies and insightful lyrics. It feels like an album that should be heard live. Hell, it feels like an album that is live. This is testament to Tasjan’s production approach as many of the songs were recorded in a series of live takes at Welcome to 1979 Studio in Nashville, Tennessee.

American anthem ‘Free Ain’t Free’ opens the album with front man Kevin Kinney part snarling, part talk-singing his way through the track. All’s not well in the land of the free and Kinney demonstrates the decline of the American dream with the song descending into a frenetic, punky scream-fest.

However, the album doesn’t dwell on everything that’s going wrong; instead it takes us down a more personal journey of reflection. From remembering first loves to working a way out of addiction, the memories are treated respectfully and the result is some delightful southern ballads and folky story-telling.

Memories begin in ‘I Used to Live Around Here’: it’s easy to visualise Kinney wandering around his old haunts as he sings of them with affection and an edgy swagger: “I used to live around here…I used to play in this bar”.

In ‘Step by Step’ Kinney explores the way out of addiction, the use of the organ in this track makes it feel almost like a religious confession, but it’s ultimately uplifting and melodic. Kinney shows vulnerability as he sings “always an excuse for my addictions” but ultimately recognises he just needs to take “one day at a time”.

Drivin N Cryin don’t want us to get too complacent and forget their dive-bar rock roots. ‘If I’m not There, I’m Here’ is an aggressive guitar-led track that descends into psychedelic meltdown with reverberating vocals, racing drums and a full-on rock out crescendo. ‘Spies’ wouldn’t sound out of place on a Rolling Stones setlist and Kinney does his best Mick Jagger snarl throughout “I’m a spy, for the underground, in America”.

Ian McLagan’ is in homage to the Small Faces and Faces’ keyboardist who died in 2014. It’s a memory of Kinney seeing McLagan lugging his kit down a lane in the rain. It is successfully reminiscent of McLagan’s music with gorgeous layers of harmonica and mandolin.

The two final songs ‘Over and Over’ and ‘Sometimes I Wish I Didn’t Care’ are both beautiful lyrically and simple in delivery. This is what makes them so poignant. ‘Over and Over’ is a song about a song. More specifically it’s a song about a mix tape and ultimately a first love. It’s all jangly guitars and catchy choruses: “We played it over and over and over again, so simple and young. We played it over and over and over again, I miss being in love”. ‘Sometimes I Wish I Didn’t Care‘ is a pure Southern ballad with a rich country feel to it. It’s a song about the loners and the lonely. Kinney is looking for ways to not be affected but ultimately wants others to share his observations: “I wish the whole world could hear it just like me”.

For a band formed decades ago with a sizeable gap between recent records, ‘Live the Love Beautiful’ feels like a classic already. It’s fresh and vital and most importantly sets a powerful direction for the band. Don’t leave it so long next time, Drivin N Cryin.

 The Land of the Free, mixtapes and love: dive-bar rockers are back with a surprisingly multi-layered album

About Linda Jameson 38 Articles
Moonshine, music and murder ballads - I own 6 pairs of cowboy boots!
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