Alanna Matty “This Past Year” (EP) (Independent, 2019)

Intimate. A word overused, often lazily, to describe the elemental voice and acoustic guitar approach to song presentation that is pretty much omnipresent nowadays. However, Torontarian (yes that’s a real word) Alanna Matty really does serve up the most intimate of sounds on this four-track EP. You can hear the faint rumble of the world outside as the home-recorded acoustic guitar parts herald each song, the bass threatening to overload the mic. Clicks, stomps and whispered count offs are also to be heard – the flotsam and jetsam of recording that are normally discarded in the mixing and editing process. Continue reading “Alanna Matty “This Past Year” (EP) (Independent, 2019)”

Andrew Combs “Canyons Of My Mind” (Loose Records 2017)

Sometimes Americana is a fickle genre; it spins off down blind alleys and one way streets in all kinds of maverick directions. Other times it shoots straight from the hip. You may have read that compelling article we poached (I mean borrowed) from Guidelive.com several days back concerning its nature. In case it passed you by, it delves into the age-old question of the pigeon hole. To get back to the matter in hand, Dallas singer songwriter Andrew Combs has released his third album which is a little bit country, a little bit folk, a little bit pop but quintessentially all American in sound and suggestion. Continue reading “Andrew Combs “Canyons Of My Mind” (Loose Records 2017)”