Simone Felice, Leaf, Manchester, 30th April 2019

Dressed in black jeans, black shirt and a crumpled black jacket; with unkempt hair and a greying, wispy beard, Simone Felice shuffled unceremoniously on to the stage to open the first of two sets he delivered tonight.  Accompanied for the evening by only his acoustic guitar, Felice gave a cursory nod to his audience before opening the evening with the familiar ‘One More American Song’ from the 2009 The Duke and The King album ‘Nothing Gold Can Stay’. From the start, a hushed room hung on every note and every word and this remained the case for the remainder of the night. Continue reading “Simone Felice, Leaf, Manchester, 30th April 2019”

Simone Felice, Mackintosh Queen’s Cross Church, Glasgow, 13th May 2018

When Simone Felice and his brothers went to high school they would hop on a bus in their hamlet of Palenville and ride thirty minutes or so to the county town of Catskill, passing a mural of its most celebrated resident: Iron Mike – The Dynamite Kid. After Tyson fell from grace the mural became neglected and eventually disappeared. Fleeting fame is a recurring theme in Simone Felice’s work. Tonight  he half sang, half spoke a vaguely recognisable rhyme that eventually revealed itself as the chorus of ‘Fast Car’, “Be someone …” then seguing neatly into ‘If You Ever Get Famous’. This is one of three “The Duke and the King” songs performed tonight from his acclaimed post Felice Brothers project from around 2010, a critically praised partnership that doesn’t even have a Wikipedia page. Continue reading “Simone Felice, Mackintosh Queen’s Cross Church, Glasgow, 13th May 2018”

Interview: Simone Felice

A long time has passed since we witnessed a shirtless, sweating Felice clambering over a rickety drum kit hollering “Yankees In The House” at  The Basement in Nashville after an incendiary Felice Brothers show that was described on this very site as ‘the future of rock’n’roll.’ These days Felice is one of the golden boys on the Americana scene, a stunning, at times ethereal songwriter that is known for live shows that really leave a mark. His new album ‘The Projector’ is arguably his best yet, a poignant, lo-fi masterstroke of a record that will only enhance Felice’s reputation as a heart-breaker and soul searcher.   AUK’s Alan O’Hare talks to the New York songwriter ahead of May UK dates.  Continue reading “Interview: Simone Felice”