We leave you this week dear reader with a new short film from Steve Gunn which accompanies his record ‘Acoustic Unseen’ out on Matador Records last week, a new EP of intimate acoustic versions of songs from his latest album ‘The Unseen In Between.’ Directed by The Mitcham Submarine and edited by James Harman, the 12-minute film weaves together footage from touring, live sessions, official and unofficial music videos – including a session for Toutpartout in a transformed convent in Ghent, on the road footage captured on a Fisher Price camera by Steve and his band, and acoustic videos filmed across London, including a Cecil Court bookshop. Have a good one.
Over the last decade Steve Gunn has built his name as an innovative and accomplished guitarist. What’s not been so clearly highlighted is the fact that he is also a damn fine songwriter. Gunn’s 2019 album ‘The Unseen in Between’ certainly gave greater prominence to his songs, where in previous releases they sometimes seemed incidental to the music. Appearing in Manchester on the last date of his UK tour, Gunn’s set strongly reflected this change of emphasis. All nine songs from his new album were performed, sandwiched between acoustic opener ‘Wildwood’ and the final encore ‘Way Out Weather’, both taken from his 2014 album, of which the latter is the title track. Continue reading “Steve Gunn + Papercuts, The Deaf Institute, Manchester, 8th April 2019”
Maybe the best example of an “underground” artist coming to the fore that we’ve come across in recent years, Steve Gunn is perhaps best known as having been Kurt Vile’s guitarist. However, he has a healthy back catalogue of solo and collaborative recordings and with ‘The Unseen In Between’ gathering a great deal of media attention it’s unlikely he’ll be considered “underground” for much longer. It’s one of those albums which just seems to have been born at the appropriate moment. A shimmering slice of psychedelic influenced folk, it talks to lovers of Tim Buckley and Michael Chapman (with whom Gunn has worked) and over its duration it simply envelops the listener in washes of reverbed guitars and cosmic layers of sound. With artists from opposite ends of the psychedelic guitar spectrum such as Israel Nash and Ryley Walker gaining momentum, it’s time for Gunn to step into the spotlight. Continue reading “Steve Gunn “The Unseen in Between” (Matador Records, 2019)”