Dave Stewart is most likely to be best known for his work alongside Annie Lennox – however, he is more than just the co-founder of The Eurythmics. With a career spanning over 40 years, millions of records sold, a number of high-profile collaborations and various forays into other channels of media, Stewart is one of the most renowned and respected musicians in the business and his newest release, is a collection of songs made up of the best duets recorded during the album sessions for three different records ‘The Blackbird Diaries’, ‘The Ringmaster General’ and ‘Lucky Numbers’ recorded and released over a three year period. Alongside Stewart on the record, are some very talented and very famous friends including Stevie Nicks, Alison Krauss Colbie Caillat, Joss Stone and many more, who, without exception, deliver brilliant vocal performances and perfectly justify why they themselves, are all household names in their own right. Continue reading “Dave Stewart “Nashville Sessions – The Duets” (DSE/Membran, 2017)”
Harry Pane’s new song Here We Stay is a story of lovers, set amongst a tragedy, with some rather nice lyrics and Harry’s signature intricate fingerpicking on the guitar creating a touching soulful sounding folk track. It comes after the release of his latest EP “The Wild Winds” earlier this year which saw him crowned as BBC Introducing’s Featured artist and picked to collaborate with Frank Turner at The Roundhouse for Frank’s Lost Evening’s with OneFest, which as cruel and unusual punishments go is particularly harsh. What must he have done in a past life?
Taken from their new album, When Worlds Collide, out on 14 December, this is a delicate slice of acoustic folk-pop from Circumnavigate and very good indeed .
Clive Gregson’s musical pedigree – not only as the founder in 1975 of his band, Any Trouble, and his work with Richard Thompson, but in the partnership he forged with Christine Collister over five albums between 1985 and 1992 – is well documented. It was during a tour he undertook with Liz Simcock in 2015 to revisit the Gregson/Collister back catalogue that led to the collaboration on this current album, Underwater Dancing. Continue reading “Clive Gregson & Liz Simcock “Underwater Dancing” (Gregsongs, 2017)”
Scotland’s Dean Owens has been producing great albums and making his mark on the Americana scene – both here and in the US – for a number of years now. Following on from the critically acclaimed Into The Sea, released n 2015 on Drumfire Records, Owens is set to return with a new album, Southern Wind, a new label, At The Helm, and a new sense of vigour. Americana-UK’s Rudie Hayes speaks to the Leith-born troubadour about what promises to be a big year. Continue reading “Interview: Dean Owens”
‘Post Meridiem’ is the third full length release from Canadian-based Jasper Sloan Yip and finds the singer-songwriter expand on and further refine the sound he found on his two previous releases ‘Every Day And All At Once’ and the follow-up, 2013’s ‘Foxtrot’. The record begins with a slow, brooding cello intro which gradually builds into the first real track The Day Passed and the Sun Went Down which successfully explores, and experiments with, different dynamics throughout the track and is an early indication of what is to follow. Journeying through quiet verses and a more upbeat, louder chorus eventually climaxing in a brilliant guitar solo, the track is an early highlight on a solid record. Immediately following, is Strangers, an ethereal, piano-led ballad, again, utilising the versatility in his voice to create an impressive falsetto chorus and it is clear that Yip’s talents are most prominent within the realms of these mid-tempo ballads. Continue reading “Jasper Sloan Yip “Post Meridiem” (Afterlife Music/Membran, 2017)”
Erm… not sure what that means other than she might carry on in her pyjamas at your nan’s in 2019. Joan Baez has announced an extensive 2018 world tour, including UK dates in March and May. In conjunction with the tour, Baez will release a new studio album ‘Whistle Down The Wind’ (Proper Records), produced by Joe Henry, in early March 2018. This will be her first new record since 2008’s ‘Day After Tomorrow’ (no relation to the movie of the same name, which would have been infinitely better if Baez had been involved). Continue reading “Joan Baez announces “last formal extended” UK and Ireland tour dates”