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Our latest posts
  • [ April 17, 2026 ] Something for the weekend: This is Lorelie “Where’s Your Love Now (Waxahatchee Version)” Tracks
  • [ April 17, 2026 ] Interview: The Del Fuegos on the joys of reforming Interviews
  • [ April 17, 2026 ] Remedy Motel “Counting Sand” Album Reviews
  • [ April 17, 2026 ] Book review: Richard Houghton “Iain Matthews: A People’s History” Book Reviews
  • [ April 17, 2026 ] Exclusive AUK Mini-Gig: Joseph Martone AUK Mini-Gigs
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Live Reviews

Live Reviews

Tom Russell, The 100 Club, London, 29th March 2019

April 3, 2019 Jonathan Aird 1
To say that Tom Russell was in a buoyant mood on-stage at the legendary 100 Club would be an understatement of huge proportions. There was a definite party atmosphere – Tom’s UK label Proper Records were […]
Live Reviews

SXSW 2019, Austin, Texas, 8th-16th March 2019

March 28, 2019 Oliver Gray 3
One piece of received wisdom regarding SXSW,  the sprawling music showcase held annually in Austin, is that it has become over-corporate and is no longer worth attending for an Americana fan. This I would refute strongly. […]
Live Reviews

I’m With Her + John Smith, Hackney Empire, 19th March 2019

March 25, 2019 Mark Underwood 0
Considering I’m With Her performed at the Bush Hall and Union Chapel when they toured the UK back in 2018, the choice of venue this evening could be interpreted as a measure of this trio’s ambition, […]
Live Reviews

Jeremy & The Harlequins, Water Rats, London, 9th March 2019

March 22, 2019 Jonathan Aird 1
At the end of their first UK tour New York City’s Jeremy & The Harlequins made the first of their two back-to-back London stops at the Water Rats, with an appearance planned for the BBC’s Andrew […]
Live Reviews

Grain Electric, The Peer Hat, Manchester, 16th March 2019

March 21, 2019 Clint West 1
Stuart Warburton and Jamie Fildes previously worked together in the 1980s as members of the excellent Rhythmaires. When that band broke up, each went their separate ways; Fildes enjoying some minor success with the band Buchanan […]

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our latest posts

Something for the weekend: This is Lorelie “Where’s Your Love Now (Waxahatchee Version)”

Tracks
April 17, 2026 0

Interview: The Del Fuegos on the joys of reforming

Interviews
April 17, 2026 0

Remedy Motel “Counting Sand”

Album Reviews
April 17, 2026 0

Book review: Richard Houghton “Iain Matthews: A People’s History”

Book Reviews
April 17, 2026 0

Exclusive AUK Mini-Gig: Joseph Martone

AUK Mini-Gigs
April 17, 2026 0
Tracks

Something for the weekend: This is Lorelie “Where’s Your Love Now (Waxahatchee Version)”

April 17, 2026 0
Well that’s it from us for this week. Regular readers will no doubt be sick to death now of me plugging this guy but his stuff is so good and as if any more proof was […]
Interviews

Interview: The Del Fuegos on the joys of reforming

April 17, 2026 0
Brothers Dan and Warren Zanes revel in the glory of performing live again after decades. The Del Fuegos are one of the pioneering US americana acts who burst onto the music scene in 1985 and were […]
Album Reviews

Remedy Motel “Counting Sand”

April 17, 2026 0
Utah band on a roll with their second ‘comeback’ album after a 15-year hiatus. You feel as though you should showcase this band in our Feature article More People Really Should Know About..…because, despite the fact […]

  • Something for the weekend: This is Lorelie “Where’s Your Love Now (Waxahatchee Version)”
  • Interview: The Del Fuegos on the joys of reforming
  • Remedy Motel “Counting Sand”
  • Book review: Richard Houghton “Iain Matthews: A People’s History”
  • Exclusive AUK Mini-Gig: Joseph Martone
  • The Taproots “Comedy Of Fools”
  • Latest AUK Podcast now available featuring The Sheepdogs in conversation
  • Tony Rice’s 1977 self-titled album returns on vinyl and digital for his 75th birthday
  • Feeding Leroy “Comes A Time” – not Neil
  • Video Premiere: Diyet & The Love Soldiers “Running Through the Great Divide” – a howling cry
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  • Matt Walker: Thank you for taking the time to answer Mark. It helps explain why the final list feels disconnected. Thanks most…
  • Martin Johnson: Thanks, Jeremy. Not only great, but pretty bottomless as well.
  • Martin Johnson: I’d forgotten about Blackfoot, Alison. There are not many bands who get one of their grandfathers to write them a…

Latest interviews

Interviews

Interview: The Del Fuegos on the joys of reforming

April 17, 2026 0
Brothers Dan and Warren Zanes revel in the glory of performing live again after decades. The Del Fuegos are one of the pioneering US americana acts who burst onto the music scene in 1985 and were […]
Band provided image
Interviews

Interview: Thomas Ådland, of Thomas & The Angry Hearts, on Language, Love and Identity

April 13, 2026 0
Two days before I heard them fill Martin’s Bar in Lillestrøm, I watched Thomas & The Angry Hearts make music in a wooden house surrounded by trees. In that studio, sound was built patiently: a harmony […]
Interviews

Interview: The Breath’s Stuart McCallum and Ríoghnach Connolly on collaborating with the Paraorchestra

April 7, 2026 0
How to achieve true musical Symbiosis. The Breath are guitarist Stuart McCallum and singer Ríoghnach Connolly, and they ensure that the song is always at the centre of their alt-folk sound. That sound is rich, reflecting […]

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Album Reviews

Emily Barker “Sweet Kind Of Blue” (Everyone Sang, 2017)

June 6, 2017 0
Australian Emily Barker has been firmly in the spotlight over the past decade with her band The Red Clay Halo (who played at the London Olympics opening ceremony) along with her stints in Vena Portae and […]
Interviews

Interview: Heidi Talbot on recording virtually in Lafayette, Louisiana, with Dirk Powell

June 6, 2022 0
Discussing getting songs from ghosts despite Boo Hewerdine’s doubts. Heidi Talbot may have spent over half her life as a working musician, including her apprenticeship with the Irish-American group Cherish the Ladies, and it is twenty […]
Album Reviews

Above The Bit “Above The Bit”

June 20, 2022 0
Fascinating Australian debut from duo with twelve dark historic stories. Any country’s history, often tragic and bleak, has often been the inspiration for great music and this is a really interesting debut from Australian duo Nigel […]

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