J.S. Ondara “Tales of America” (Verve, 2019)

The grand but elusive idea of the ‘American Dream’ is one of the USA’s gifts to the world. J.S. Ondara is, perhaps, the very personification of this ideal but his darkly poetic lyrics and tender confessionals expose the doubts, flaws and difficulties in chasing the myth, just like the pain to be found in the search for love. This is a timely piece of art, exploring the conflict of an outsider, with a deep affection for its culture and musical history, finding his place in modern America. At times joyous and at times bleak and haunting, Ondara’s inspiring debut album tells the story of his determination to pursue his dream of becoming a musician in a land far from home.

Ondara’s obsession with American music began with the bombastic rock of bands like Nirvana, setting him apart from his peers in his native Kenya. After a bet about whether ‘Knockin’ on Heaven’s Door’ was written by Guns ‘n’ Roses, he discovered Bob Dylan and American folk music and never looked back. Where Ondara grew up in Nairobi, instruments were a luxury so his early songs mostly existed just in his mind. But there was an early desire to write and sing and search for himself in music. At the age of just 20, Ondara won a green card lottery, moved to the USA and taught himself the guitar. That journey across continents to embrace American music and deliver ‘Tales of America’ is part of the album’s appeal and the music is inhabited by a wide-eyed spirit of adventure and discovery.

Throughout, the instrumentation is sparse; often Ondara’s delicate, plaintive vocal is accompanied just by his gentle finger-picking guitar or fragile strum and is all the more powerful as a result. Other instruments, such as the cello on the beautiful ‘Give Me a Moment’ or the percussion on the more upbeat ‘Lebanon’, are used in subtle, understated ways. The overall sound is a traditional Americana-folk, but made new and distinctive by Ondara’s fresh, pure voice, gorgeous melodies and strong identity.

The album begins with the repetition of: “It was just an American Dream,” on the opening track ‘American Dream’, immediately setting out the recurring theme; and it ends with the heartfelt appeal to a nation, ‘God Bless America’. On this simple but powerful closer, the theme circles around and Ondara’s plea for acceptance is totally disarming in its sincerity: “When the time it is sweet, it won’t matter who your god is / Or the tone of your skin, or who you choose to share your / Love with / Oh God bless America, the heartache of mine…”

The first three tracks present a strong opening, particularly the rhythmic ‘American Dream’ and the gorgeous vocal of ‘Torch Song’, a song of missed chances and regrets that showcases Ondara’s range; many of the album’s best moments are when his voice lifts to a high-pitched, imploring call. There is an honesty and truth in Ondara’s tender, elegant vocal delivery. With sensitive variations in tone and pace throughout, there are many highlights and memorable tracks, including the ethereal, haunting ‘Turkish Bandana’ in which Ondara sings of fading dreams: “You came out to the west, / With these visions of grandeur…” and the desperately bleak, Dylan-like folk of ‘Master O’Connor’: “This love of mine, she is so unkind, / She said I was made for her leash.”

In searching for the ‘American Dream’, J.S. Ondara has found something that is all his own; but his debut explores the universal themes of seeking love or something indefinable, of the need for acceptance and hope. This is a powerful album, full of integrity and intelligence, offering a great deal of future promise. J.S. Ondara is one to watch.


Album-of-the-year-contender delivers striking exploration of the ‘American Dream’

About Andrew Frolish 1474 Articles
From up north but now hiding in rural Suffolk. An insomniac music-lover. Love discovering new music to get lost in - country, singer-songwriters, Americana, rock...whatever. Currently enjoying Nils Lofgren, Ferris & Sylvester, Tommy Prine, Jarrod Dickenson, William Prince, Frank Turner, Our Man in the Field...
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