Finding any information about Stephen Feldman on the internet is no easy task which is a pity as it would be good to tell more about an artist who has produced a very satisfying and thoughtful album here. It seems as though he is a Los Angeles based folk musician who is somewhat a veteran having released a number of albums before as part of a group called Poppa’s Kitchen but that is about all that is available. There are eleven songs here all of which have been written by or co written by the artist and all paint pictures of people and events. Continue reading “Stephen Feldman “The Ancient Art” (Independent, 2016)”
The Scala’s stage had been transformed into a magical winter forest – with bare skeletal trees adorned with tiny lights and a drifting mist from the smoke machine making for a Narnian backdrop for both Radical Face and their opener Austin Basham. In a checked shirt and bearded, of course, and sporting a wholly unnecessary – given the rising temperature in the Scala – woolly hat Austin Basham had the appearance of a woodsman, his axe in this case being an acoustic guitar. Continue reading “Radical Face, The Scala, London – Tuesday 22nd November 2016”
Tom Paxton, that cheeky chappie with the avuncular face, is heading to the UK next month for some dates, with support from Cathy and Marcy (no surname provided). Tom has had a music career spanning more than 50 years, with thousands of live performances around the world, as well as a Lifetime Achievement Grammy Award in 2009. “We are all born singing Tom Paxton songs” says Nancy Griffith’s, although having just spoken to my mum I can confirm I definitely wasn’t. I couldn’t sing until I was three apparently. The dates… Continue reading “Tom Paxton heads to UK for dates – January”
Fault Lines is the second album by Fred’s House, following on from their well-received debut, Bonnie and Clyde. Wikipedia cites them as an award winning band based in Cambridge mixing elements of Folk, Pop, Country, Classic Rock and West Coast with a definite vintage feel to their music, echoing the 70’s but creating a fresh new sound that is very much part of now. Continue reading “Fred’s House “Fault Lines” (Cracking Tunes, 2016)”
From their new album, “Welcome Stranger”, due for release in January 2017.
This is rather lovely (and has the correct link this time).
The title track from their latest EP, produced by Ian Carter of Stick In The Wheel.
Natalie Bouloudis is a native of East Sussex who first got her musical education in childhood, having played clarinet in jazz bands and had a few guitar lessons at school. Her debut EP is her first proper recording, all recorded live at Wax Studios in London and produced by Robert Strauss, and she’s releasing her new single online – ‘Burning Pier’ is set in a fictionalised amalgamation of the burnt-out husks of Brighton, Hastings and Eastbourne piers – “Essentially a meditation on how disasters can both evoke nostalgia and make us question our future in a new light.” Continue reading “Natalie Bouloudis streams her new single – Listen”
This year’s Number One! Maybe. Full of Christmas cheer. Sort of.
Michael Baker may be a relative unknown in the world of Americana, but he shouldn’t be. ‘Dust & Bone’ is a mighty-accomplished album, with more than a hint of alt-rock and acoustic folk thrown in with the beautiful songwriting and smooth vocals. Kicking off with ‘Steady & The Stuck’, the acoustic intro quickly drops into a full-band chorus and whilst it is not overly electric or loud, it does contain a lot of power that turns the track into a wonderful introduction to Michael’s Anglo-French take on a classic Americana style. Continue reading “Michael Baker ”Dust & Bone” (Keys To The Kingdom Records, 2016)”