Grant-Lee Phillips, The Lantern, Bristol, April 26, 2018

Amongst old carpeting and pompous high ceilings, Grant-Lee Phillips and his acoustic guitar look like they are about to play a secret gig in someone’s (admittedly rich) private living room. Even if it’s not the case, well, it feels like it anyway. When on tour, Phillips likes to strip it down to bare minimum, leaving behind his fellow musicians Jerry Roe (drums) and Lex Price (bass), who took part in the recording of his latest album ‘Widdershins’ released in February of this year. Being alone on stage doesn’t frighten him though. For Phillips, it’s like going back to the source of the album-making process just like a natural circle of life, from laying the foundations of the songs to the afterlife of his records. The experience allows him to play differently with some areas of the song too, cunningly tweaking and twisting them. Continue reading “Grant-Lee Phillips, The Lantern, Bristol, April 26, 2018”

Grant-Lee Phillips “Widdershins” (Yep Roc Records, 2018)

With this record G-LP sounds confident, spontaneous, relaxed and angry – it’s a heady brew and provides the fuel to make this his best set of songs for some time. Each song is a stinging jab with lyrical barbs and musical hooks, a riposte to the current political situation. Make no mistake, these are protest songs, subtle and cutting.  Recorded over four days they have an immediacy; they haven’t rehearsed the soul out of the songs which smoulder and often catch fire. Continue reading “Grant-Lee Phillips “Widdershins” (Yep Roc Records, 2018)”