Seafoam Green is the brainchild of Dublin-born troubadour Dave O’Grady. The band formed in 2011 following a chance meeting with Rich Robinson of The Black Crowes whilst O’Grady was recording in Nashville. The pair struck up a friendship that led to several tour supports across the US and Europe and soon the pair were writing and recording in earnest. Continue reading “Dirty Dozen: Seafoam Green”
And there’s a UK date in there if you look hard enough! (although it’s a festival date so you will have to see another 150 bands for the privilege). Spin reports: “After releasing a new song last month, Fleet Foxes have announced that they’ll embark on an extensive tour that will run from May until the end of the year. The band is touring behind their upcoming album Crack-Up, which follows 2011’s Helplessness Blues. The new project is scheduled to drop June 16. Check out the full tour dates and a trailer for the album below. Continue reading “Fleet Foxes announce world tour”
New Orleans singer-songwriter Louie Ludwig makes music that jumps off the page as he and his friends have put together an electric variety of sounds. Somewhat quirky, always original Ludwig and this fine set of Louisiana players serve up country, folk, blues, jazz with a hint of pop and 1970s American singer-songwriter. There are major contributions from Chris Waterman (bass), Clay Parker (acoustic, electric guitar, banjo), Danny Kane (steel guitar) and Eric Reed (drums) plus slots from Gina Forsyth (fiddle), Bart Ramsey (piano), Patrick Sylvest (mandolin), Mike Rosato (harmonica) and brass from Derek Huston (saxophone) and Craig Klein (trombone) and others. Ludwig’s music is about a sound, a thoughtful cool as they come groove; his lyrics are simple, his homespun philosophy of the kind the listener can quickly become lost absorbing the gorgeous hues. Continue reading “Louie Ludwig “I Got Nothin To Say” (Independent, 2017)”
From his new album, Kids In The Street, out on May 26th, Justin Townes Earle offers a soulful ricking take on the American Dream.
On Sunday night, Over The Rhine brought their uniquely American sound to the home of English Folk Music. The Kennedy Hall in Cecil Sharp House is an imposing room and appeared to be full. While their albums and live shows in the U.S often feature a full band the essence of Over The Rhine is Karin Bergquist and Linford Detweiler as a duo, mixing voices, piano & acoustic guitars. What struck me after hearing their live recordings was the emotional power of Karin’s singing on Born and Latter Days. On recent songs Linford shares the vocals more and this lends a warmth and intimacy to the songs, they often seem sing to each other as much as to the audience.
This is lurvely (and not blocked for UK viewing for once) with a great sentiment behind it. Rolling Stone report: “Rodney Crowell was joined by Rosanne Cash and John Paul White to recreate the trio’s rendition of “It Ain’t Over Yet,” the lead single from Crowell’s new album, Close Ties. The song was just one of several highlights during Crowell’s album-release show Thursday, March 30th at New York’s City Winery, which also included Crowell and Cash duetting on both 1979’s “No Memories Hangin’ Round” and Crowell’s signature song, “Leaving Louisiana in the Broad Daylight.” Watch the performance of “It Ain’t Over Yet” [below]. Continue reading “Crowell, Cash and John Paul White pay homage to Guy Clark – Watch”
This is the first album from Imelda May since 2014 and it is impecably produced by none other than the legendary T Bone Burnett. The style represents a change of direction from the Dublin born singer who has emerged from the break up of her 18 year marriage with an album concentrating on matters of the heart. However, this is not introspective soul searching work but rather well thought out and intelligent songs about the human condition. Continue reading “Imelda May “Life Love Flesh Blood” (Decca, 2017)”
Ryan Lee doesn’t perform like most singer-songwriters since he marches to the beat of a different drum. His style of work reminds me of the anguished torment associated with much of the work of the late Vic Chesnutt, as he weaves images awash in intricate artful beauty. Honest and unbending the lyrics are given flight by his interesting vocals and varied arrangements. Supported by guitars, piano, drums, percussion and harmony vocals Lee, who performs all duties apart from percussion on four tracks is said to have seen his life take an exciting turn when an unexpected love showed up, one to propel him into an exciting world of adventure, creative rebirth and wide-eyed optimism to the degree he now has an urgency to share his work with the world. Lee has grabbed hold of the opportunity to capitalise on the energy gained from this experience with both hands. On the song Simple he speaks of how he (and his love) are in the need of nothing or desire of the finer things such the feeling of contentment gained from them meeting. Continue reading “Ryan Lee “Always A River” (Independent, 2016)”
This might be a hard sell, and to be straight from the outset there is not a shred of what most people would define as Americana in this release. Nor is there a touch of roots, or for that matter rocking. Adult Karate – which is for all intents and purposes KC Maloney – is an all electric band : yes, we’re talking synthesisers here. Continue reading “Adult Karate “Indoors” (Plug Research, 2017)”
Paul Kelly is one of the legends of Aussie singer-songwriting, so much so that he’s been Bob Dylan’s support of choice when he’s toured in Australia, but he’s still relatively unknown on UK shores – although to be fair from the fact that his UK dates always all sell out then he’s probably not that best kept a secret. Anyway he’s heading to the UK (and Europe) in September for a handful of dates which include London, Bristol, Manchester, Nottingham, Amsterdam and Paris. And after you’ve perused the finer details, here’s a clip of Paul and Neil Finn playing his 80s antipodean anthem “Leaps & Bounds” Continue reading “Paul Kelly announces UK dates for later this year”