News from RS this afternoon on two absolute classics, Passenger Side still makes the hairs on the back of your neck stand up and how many songs from this year can you say that about? (“Galway Girl” notwithstanding of course). They report: “Wilco will reissue their first two albums, A.M. and Being There, on December 1st via Rhino. The new editions will feature an array of bonus tracks, including alternate takes, unreleased songs and live recordings. Continue reading “Wilco to reissue first two albums”
Anglo-Dutch Gitta De Ridder has released her new single My Dear, Oh Boy, Oh Man; the first to be taken from the new album “For Everything A Season” which is due out in Spring 2018. The album is comprised of a series of seasonal EP’s collected together in a boxset, described as “a journey of experiences through life and relationships, beginning with this album opener single, a song about love and loss, about finding the strength to move on and let bygones be bygones.” Or as Scottish churchman Samuel Rutherford once said: “Pray that byegones betwixt me and my Lord may be byegones.”
Steve Grozier hails from Glasgow and this is his second EP offering which has four tracks all dealing with love and loss in various forms. He wrote or co-wrote all the tracks on this CD which kicks off with the rocking Where The Roses Grow a brooding piece alluding to lost love and dreams. This is followed by The Hardest Thing a deceptively tragic song with intelligent lyrics delivered with an easy vocal. Continue reading “Steve Grozier “A Place We Called Home” (1232 Records)”
Billy Bragg, currently in North America for the first leg of his ‘Bridges Not Walls’ tour, has released his new single Saffiyah Smiles which you can see the video to below. The song is a rousing Hammond-drenched country soul shuffle written by Bragg and was inspired by the bravery of Saffiyah Khan who smiled benignly in the face of the incensed leader of the far-right group the English Defence League at an anti-immigrant demonstration in Birmingham (UK) in April ’17; a photo of her action immediately went viral on social media. Continue reading “Billy Bragg builds bridges not walls – new album out next month”
A great video to accompany this very nice slice of big music with Glen Campbell-esque vocals from Michael Gallagher aka The Mining Co.
In The Living Room is the new single to be released from ‘Post Meridiem’, the third album by the Vancouver based artist Jasper Sloan Yip. Produced by John Raham (Dan Mangan, Frazey Ford, Dralms), the album in Yip’s words “[continues] the pattern of my previous releases – it’s a self-portrait. Or rather, a series of vignettes that, when considered together, give a sense of the whole. It is reflective by design, a distorted recollection of one’s own life created with the hope that listeners will see some part of themselves somewhere in the hazy patch-work narrative put before them.” Er, something about a duvet?
It’s a sign of how much Tom Petty meant to the americana community that so many of “our” artists have been covering his tunes the past week. RS Country reports this morning: “Jason Isbell & the 400 Unit paid their respects to Tom Petty on Sunday night, kicking off a six-day residency at Nashville’s Ryman Auditorium with a 19-song set that included the Damn the Torpedoes hit “Refugee.” Continue reading “Jason Isbell covers Tom Petty’s “Refugee” – Watch”
Chloe Chadwick may be a new name to many but her debut album is a powerful slice of UK pop meets East Nashville Americana. Recently appearing as part of the AMA UK showcase at Summertyne at the Sage, Gateshead, she was said to be the highlight of the weekend by many. Continue reading “Interview: Chloe Chadwick”
Rodney Branigan has become known worldwide for his unique ability to play two guitars at once. While quite a spectacle in itself, the meat and potatoes of Rodney’s music is his ability to pen emotive lyrics and deliver them with a voice that is honest and passionate. One Seed is the first song of the upcoming album, The Clever Kid Cartel, and is a fair representation of his passionate, sincere and emotive style. Continue reading “Dirty Dozen: Rodney Branigan”
It has to be owned that after seeing Blue Rose Code deliver a live show a few years ago that could generously be described as lacklustre this reviewer has taken absolutely no interest in his music since. Which on the evidence of this album would appear to be a massive mistake as “The Water Of Leith” is a work laden with beauty, possessed of depth, heart and soul and sounds simply gorgeous. Continue reading “Blue Rose Code “The Water Of Leith” (Navigator Records, 2017)”