Michot’s Melody Makers “Blood Moon” (Sinking City Records, 2018)

Michot’s Melody Maker’s are something of a supergroup. Led by Lost Bayou Ramblers frontman and fiddle player extraordinaire, Louis Michot and backed with a selected cast of talented musicians and a slew of special guests, the Grammy-award winning artist, has continued his modern homage to his Louisiana roots and the traditional music of the region with ‘Blood Moon’ and the result is an intriguing, eclectic collection of songs drawing inspiration from not only the Cajun genre he has been linked to throughout his career but there are hints of other influence throughout too such as country, rock and roll and rockabilly. All of these factors contribute to the unique sound of the record which can at times be alienating but more often than not, the result is outstanding. Continue reading “Michot’s Melody Makers “Blood Moon” (Sinking City Records, 2018)”

Strong Water “Bearfoot” (Independent, 2018)

Strong Water are a folk/americana group coming out of Harrisonburg, VA and their second full length ‘Bearfoot’ is a self funded, released and recorded effort put together after a fantastic reception to their previous release, the self-titled ‘Strong Water’ released in 2016. Since then, the group have performed together a lot more and which has seemingly allowed them to hone their skills at both playing and songwriting to allow them to really flourish as a band. Continue reading “Strong Water “Bearfoot” (Independent, 2018)”

The Pine Hearts “Carousel” (Independent, 2018)

The Pine Hearts are the brainchild of Joey Cappocia, who set about pulling together a group of the most talented local musicians he could find from around his home in the Pacific Northwest. The result of this endeavour was the recruitment of mandolinist Derek McSwain and Dean Shakked on upright bass and the subsequent formation of The Pine Hearts, named after the area of natural beauty in Olympia, WA where Cappocia was raised. Continue reading “The Pine Hearts “Carousel” (Independent, 2018)”

David Olney “This Side or The Other” (Black Hen Music, 2018)

The name David Olney won’t be unfamiliar to long-term readers of AUK or fans of the Americana genre itself as the man himself has been somewhat of a staple on the scene for just over 30 years, steadily and frequently releasing quality under his own name or with certain collaborators and his name has become synonymous with a high standard of songwriting in terms of both musicianship and lyricism. His newest release, ‘This Side or The Other’ is certainly no exception to that rule and it’s evident that Olney has plenty to write about. Continue reading “David Olney “This Side or The Other” (Black Hen Music, 2018)”

D.T. Buffkin “Saturday Night, Sunday Morning” (Independent, 2018)

Saturday Night, Sunday Morning’ is the title of, San Antonio native, D.T Buffkin’s newest record and the follow up to 2013’s ‘Tattooed Rose’. Building upon the sonic foundations laid on the debut and, as the title would suggest, drawing from the classic-country inspiration of drinking and heartbreak, Buffkin’s record is 11 tracks of whisky soaked honky-tonk and it is done very well. Continue reading “D.T. Buffkin “Saturday Night, Sunday Morning” (Independent, 2018)”

Owlbiter “Stud Farm” (Independent, 2018)

Owlbiter is the moniker adopted by Brooklyn-based singer/songwriter Matt Cascella and August 10th saw the release of his debut LP ‘Stud Farm’ which also premiered right here on AUK. Utilising the people around him, namely James Downes, holding down guitar and production duties, Jeff Doyle on keyboards, Jimmy O’Donnell on trombone and Cascella’s fiance, Jen Cordery providing backing vocals, Cascella set out to record a minimalist set of songs, especially in terms of percussion, (which might come as a surprise as he was formerly a drummer) and the result is a lo-fi collection that lets the music speak for itself without the glitz and glamour of a big studio affair. Continue reading “Owlbiter “Stud Farm” (Independent, 2018)”

The King Heat Ensemble “Songs” (Independent, 2018)

The King Heat Ensemble released their debut EP, simply entitled ‘Songs’ back in March of this year. An interesting choice of title as it gives nothing away – a title allowing whoever might stumble upon them to make their own mind up about the music within with no expectation whatsoever. This allows for the group, comprising predominantly of Jeff Kightly on guitar and vocals and accompanied on drums and keys by Dave Goldsmith with a few friends to round off the ensemble, to explore the different avenues within the ever-broadening Americana genre and experiment with sounds, textures and instruments without giving the listener a preconceived  idea of what the identity of the group, or the sounds within, could be. Continue reading “The King Heat Ensemble “Songs” (Independent, 2018)”

Hawks and Doves “From A White Hotel”(Jullian Records, 2018)

The story behind Portland’s Hawks and Doves’ debut album ‘From A White Hotel’ and how it came to fruition is a curious one. Five years ago, after a prison sentence and free from a number of personal struggles, front-man and lead songwriter Kasey Anderson had decided he was finished with playing music until a friend asked him to contribute a song for a benefit compilation to help pay for a friend’s cancer treatment – at which point, Anderson, now five years sober, went about putting together a group of four to record a cover song. The group consisting of producer/engineer Jordan Richter, Ben Landsverk and Jesse Moffat adopted the moniker Hawks & Doves and recorded a cover of Tender Mercies ‘Wiseblood’ (which is included as a bonus track on the record) and that studio session led to the birth of the band and the album ‘From A White Hotel’. Continue reading “Hawks and Doves “From A White Hotel”(Jullian Records, 2018)”

Luna Waves “Seafoam Dream (Part 1)” (Independent, 2018)

Luna Waves is the moniker adopted by singer-songwriter and multi-instrumentalist extraordinaire, Rob Muir and the first part of his two album release ‘Seafoam Dream’ is due for release at the end of this month, with the second part following in early 2019. Drawing inspiration from a wide range of sources and genres from the musician who admits to being heavily influenced by some of the greats of the 80’s and 90’s as well as some more modern references, Luna Waves debut LP is something of a musical tapestry woven together with different sounds, instruments and styles to create its own original identity. Continue reading “Luna Waves “Seafoam Dream (Part 1)” (Independent, 2018)”

The Mulligan Brothers “Songs For The Living and Otherwise” (Independent, 2018)

Some artists spend their whole careers trying to find their sound or create a piece of work that defines them as a band and The Mulligan Brothers have done just that on their third full-length album in five years, the magnificent, ‘Songs For The Living and Otherwise‘. Following on from their excellent self-titled debut and sophomore record, ‘Via Portland‘, The Mulligan Brothers have capitalised on the formula that has worked so well for them in the past and then some. Continue reading “The Mulligan Brothers “Songs For The Living and Otherwise” (Independent, 2018)”