This week’s retro slot features Ireland’s Energy Orchard, the late and much missed Bap Kennedy’s first band. There’s a new tribute EP out now (reviewed on Americana UK earlier this week) with all proceeds going to Belfast’s Marie Curie hospice. You should get it. Have a great weekend everyone.
To be fair the slippery bit was just to make a headline, but after a four year wait, EELS have today announced their new album “The Deconstruction”, out April 6th on E Works/[PIAS]. The band have unveiled the title track which you can hear below alongside UK headline shows in July, which includes London’s O2 Brixton Academy. The album is set to be released digitally, on CD, 2 x 10” LP, and on Limited Edition Deluxe 2 x 12” LP Box Set. Continue reading “EELS are back and as slippery as ever”
These three EP’s are the first three instalments of a planned quartet of releases, and there’s nothing startlingly different about each record. They are all super competent Americana, aiming foursquare for the middle ground, populated by the likes of later period Avett Brothers, five tracks each, short and sweet punches, drawing no blood but spraying sugary harmonies with each jab landing. Continue reading “Moonsville Collective EPs “I” “2” “3” (Moonsville Records 2017)”
Fretboard warrior, purveyor of all things six-string, and pedal steel supremo, Iain Sloan has been soundtracking the UK Americana scene for a number of years predominantly with The Wynntown Marshals, Scotland’s finest alt.country band, and latterly with the likes of indie folksters Blue Rose Code and the legendary Peter Bruntnell. Americana-UK catches up with Sloan inbetween practice and school runs to chat through life on the road and have a rummage through the glove box. Continue reading “Van Life: Iain Sloan”
“I’m Gonna Be Free” is the new single from LA based americana roots collective The Sound of Ghosts who kind of do their own thing in terms of an americana sound and are all the better for it. Vocalist Anna Orbison told us: “This song was written when I quit a job I had been trying to quit for over a year. I took a shower the day I quit and this melody and lyrics just came to me at the same time. Ernesto [the band’s guitarist] then came over and we worked out the song together.” The track really picks up 2 minutes in. It must have been a good shower.
The AMA-UK have announced full details of the schedule for their annual conference which takes place at the end of this month in Hackney and which you can still buy tickets for here. It looks like a fantastic programme with highlights that include Billy Bragg giving the keynote speech on Wednesday morning, a session on Loose and how they turned three magic beans into one of the most successful americana labels in Europe, Bob Harris in conversation with Joe Henry and a songwriting workshop featuring Mary Gauthier and Sam Baker among others. And there’s lots of foody and boozy bits to break it up (plus a session featuring Frank Turner if you want to enjoy being told why being sponsored by Pepsi is better than the evil statist Arts Council for lazy artists). Continue reading “AMA-UK announces schedule for conference”
From his new double album and undoubted career high (which is saying something) Out Past The Wires, released on February 16th, this is the mighty Rod Picott. He’s in the UK in March and you really shouldn’t miss him.
As Stereogum conclude with this article, let the hoedown begin! They report: “Many hands have been wrung about whether Justin Timberlake is going country on Man Of The Woods and what that means. The album’s initial trailer suggested that it would be an outright roots-music move or perhaps a folksy Bon Iver ripoff; other evidence accrued toward such conclusions includes a tour announcement promising to “bring the outside in”; a tracklist with such titles as “Flannel,” “Breeze Off The Pond,” and “Livin’ Off The Land”; and an interviewin which co-producer Danja said The 20//20 Experience’s country-rocker “Drink You Away” was a good reference point for the new LP. Yet lead single “Filthy” was a heavy-breathing future-funk oddity that didn’t seem to match up with any of the promo campaign’s aesthetic reference points. Continue reading “Justin Timberlake: “My new album is modern americana with 808s” – Listen”
Founded in the Texas garage of bassist Jarrod Nall and guitarist/vocalist Jacob Shipman in 2013, the band released their debut, self-titled EP just two years later. Their sophomore EP, Cities Made of Sand, came out in 2017. Now a truly dynamic six-piece featuring Evan Runyon (lead guitar), Angie Vanegas (vocals), Fletcher Inzer (keyboards) and Patrick Barrow (drums) there’s promise of more new music this year.
Starting off as a punk inspired country siren, Lydia Loveless soon progressed to offering feisty pop orientated numbers, still imbued with a country punk attitude. Boy Crazy & Single(s) is a handy catch up compendium of her 2013 EP, Boy Crazy along with several songs originally released as singles. Released in both CD and vinyl editions it’s the latter which is likely to appeal to hard core fans as none of these have previously been given the vinyl treatment. For others, the CD is a fine introduction to Ms. Loveless’s music. Continue reading “Lydia Loveless “Boy Crazy & Singles(s)” (Bloodshot Records, 2017)”