Cassady Southern’s new single “Breakdown” is a paean to broken love and showcases the ability of Cassady’s writing to uncover the vulnerable truths within all of us. Cassady’s poetic lyrics and unique delivery are enhanced by the signature sound of guitarist extraordinaire Wolf Mail, and the rock-solid rhythm section of Reuben J Alexander and bassist Brad Fitter. Continue reading “Dirty Dozen: Cassady Southern”
Taken from the album Mockingbird Lane, nominated for Americana Music Association Album of The Year.
Serendipity – it happens all the time, that accidental crossing of life’s tentative threads that seem to indicate something significant when a connection is made. Travelling in London by train one inevitably comes into contact with the free newspapers, and tonight the Standard is proclaiming the death of the £300K home. Seems there has been a steady decline in such houses, deemed affordable because a couple both on average salary who have scraped together a significant deposit can escape crippling rents by purchasing such a dwelling on a slightly less crippling mortgage. Not anymore. There’s only one part of London where the average house price falls into this category – Barking. Whether the Bard of Barking is aware of this I don’t know – but he was in London (with Joe Henry) to sing songs about trains. Continue reading “Billy Bragg & Joe Henry, Union Chapel, London, 16th January 2017”
This dynamic duo are passionate storytellers who have only just begun to tell their story. Not ever wanting to be labelled as fitting into a particular genre, they find their style in everything from heartfelt folk ballads to alternative country blues. Individually they each bring something unique to the sound, but together they create a vibe that takes their audience on an epic musical journey. Continue reading “Dirty Dozen: Dirty River”
Challenging is good and this is a record to challenge. It starts like a straightforward jazz record, possibly contemporary Norwegian, a propulsive beat driven by brass. It takes a couple of minutes for the vocals to arrive and they are matter-of-fact; the brass stops and leaves a gap, then it flits back in and the strings flash like a Philadelphia soul record, and the vocals are kitchen-sink, downbeat, describing the day when Thatcher was buried. Then comes Dust that moves from jazz to funk it feels like Cathy Come Home meeting Bootsy Collins – it’s that strange mix of dour British observation with vibrant American musical forms, ia fascinating contrast. Continue reading “Sky Coloured “Starting Time” (Independent, 2016)”
Saskatoon singer-songwriter Jen Lane’s new single “My Man” twists a classic country heartbreak song to end with a sense of resolution, and we’re delighted to premiere it on AUK today. Her first lyric video (conceptualized, filmed and edited by Taylor Leedahl) embodies the idea of a calm space under water where the artist sorts what is haunting her (perhaps the thought of the next four years). We’ve got a vinyl and 2 CD copies of her new album “This Life of Mine” to giveaway too. Just email firstname.lastname@example.org over the weekend with your name and address and “Jen Lane” in the subject line. And in the meantime, here’s the new song!
Like a modern day Cosmic Cowboy, Tasjan creates a heady blend of country-flecked rock-n-roll, veering from acoustic blues to garage-pop psych to smooth Nashville sounds to lush Laurel Canyon fare… filled with Tasjan’s remarkable story-telling, imbued with wry wit, a sharp tongue and a lot of heart – bringing to mind the showmanship and humour of Josh Tillman (Father John Misty – whose bassist Eli Thomson produced Silver Tears), as well as Harry Nilsson and Tom Petty. Continue reading “Dirty Dozen: Aaron Lee Tasjan”
A nice gentle sound from this fine outfit who are on tour in the UK from the end of the month.
Bold as brass, Margo Price commanded centre stage on her Scottish debut. Wearing a figure hugging mini dress seemingly made from the same material as the ruby red slippers in Wizard of Oz, fishnet tights and thigh high boots she certainly was the centre of attention. Now this isn’t a fashion review and generally one would avoid describing in detail an artist’s costume however, as a statement, Price’s attire spoke volumes. True rhinestone glamour that reeked of bar bands playing in roadhouse bars to disinterested drinkers, the singer clinging to dreams of Loretta Lynn and Dolly Parton and dressing up for a few dollars a night: you never know, a music row scout might pop in for a quick drink. Continue reading “Margo Price @Celtic Connections with Aaron Lee Tasjan – Oran Mor, Glasgow: 24th January 2017”
The question of authenticity is something of a bother from time to time – particularly when it comes to music. That age old, folk club-endorsed argument of whether it’s okay for an Englishman to affect an American accent in song is at once as frustrating as it is trivial. If you’re the kind of person that gets hung up on this kind of thing (or indeed find yourself pondering whether or not it’s acceptable for a Canadian to play bluegrass, as ably demonstrated by the other 50% of the case in point we find here), you might want to adjust your wiring. If, however, you’re willing to sidestep such nonsense and simply want to engage with a collection of songs that are clearly born of a desire to render a contemporary take on American roots music by exploring the power of ‘the duet’, look no further- “Shadows and Light” is a gentler but easily as good a place to start as the acclaimed Billy Bragg and Joe Henry’s “Shine A Light” or John Prine’s “For Better or Worse.” Continue reading “Dave Luke & Chuck Micallef “Shardows and Light” (Independent, 2017)”