Good interview here which muses what Woody Guthrie would think about world events unfurling today. Rolling Stone Country reports: “”The title is obviously a nod to the blues, which ended up becoming the framework of this entire record,” states singer-guitarist Jay Farrar about Son Volt’s adventurous new album Notes of Blue. “Over the years I’ve done a couple blues-oriented songs here and there, but this time around there was an opportunity to focus a bit more on it all the way through.” Finding its aesthetic anchor in the storied blues tradition, Notes of Blue is the eighth studio album from Farrar’s Son Volt, a band who often works to widen the fence posts of the alt-country genre it is often credited with helping establish. Continue reading “Rolling Stone interviews Jay Farrar on new Son Volt record”
An album that features an Edward Thomas poem on its sleeve notes is always going to be worth the time spent on it and the rule remains true with this latest offering from the Sheffield folkster. Muscular production and some stunning soundscapes lift the material above the simply strong and into the realm of the memorable. Forlorn Hope has some deep booming beats that underpin the groove and gladden the heart. But it is Danse Macabre that genuinely grabs the listener by the scruff of the neck demanding attention. Hymnal and elegiac the palette grows as vocals collide in a processional celebrating the wolf. There are comparisons to be made with Wolves by Phosphorescence not only in the haunted quality of the storytelling but in the subject matter and manner the story is told. Continue reading “Neil McSweeney “A Coat Worth Wearing” (Hudson Records 2017)”
And after you’ve read this if you want to see them BURST into Columbia Nashville unannounced (the bare faced arrogance) then watch the clip below. Rolling Stone Country reports: “In May 2016, Old Crow Medicine Show paid tribute to Bob Dylan’s 1966 masterpiece Blonde on Blonde with a live re-creation of the album at the Country Music Hall of Fame and Museum in Nashville. The Grammy-winning roots-music group, known for transforming a Dylan song sketch into the ubiquitous hit “Wagon Wheel,” recorded the performance and will release 50 Years of Blonde on Blonde on April 28th. Continue reading “OCMS ready Dylan tribute album”
An impressive video for a fine song from Luke Sital-Singh’s forthcoming album Time Is A Riddle.
Are you sick of Ryan Adams news yet? Fear not, plenty more to come. Pitchfork reports: “Ryan Adams’ inaugural episode of his Beats 1 radio show “The Midnight Wave” aired last night, and featured music selections from the singer-songwriter as well as discussions between Adams and his friends Todd, Marshall, Charlie, and Robox about various topics. The group play a game of “Who Said It: Trump or Morrissey?”, talk about what “taking an L” means, and even write a song on the spot. Check out the full episode here and watch a trailer for the show below. Adams recently released Prisoner.” You can listen to the show on iTunes or via Pitchfork here. Continue reading “Ryan Adams’ inaugural Beats 1 Radio Show airs”
We can’t embed this sorry but the audio is just a click away here if you’ve got a spare hour and 21 minutes. Rolling Stone Country reports: “Chris Shiflett spent Valentine’s Day in the company of Lucinda Williams, who invited the Foo Fighters guitarist to her L.A. home to tape the newest instalment of Walking the Floor. The episode finds the two diving into Williams’ early days as a songwriter in Texas and California, struggling to be heard in a business whose executives didn’t always know what to do with a left-of-center folk-singing female. Continue reading “Lucinda Williams discusses Steve Earle and more on podcast”
It’s fair to say that growing up Loudon Wainwright III had some mixed feelings about his father, a columnist for LIFE magazine which he has summed up himself in a typically forthright and candid manner: “When they first were published in the magazine in the 1960s and 70s I mostly ignored them because having a famous father had been, by in large, kind of a drag. I was the son of the famous LIFE magazine writer Loudon Wainwright. Wasn’t that great? Wasn’t I proud? Those 2 questions always led to a third, which I invariably asked myself: How the hell was I going to top that?”. Continue reading “Loudon Wainwright III – ‘Survivng Twin’”
The fourth solo outing for singer songwriter O Caoimh continues where his previous efforts left off. This is a collection songs that belie their often ‘lightweight’ production with hidden depths or lyrical touches that make the listener sit up and take notice. On the back of the wave of positivity concerning his last release not least from this very website (‘this album is a tour de force’) O Caoimh has his work cut out – not many artists have more than one tour de force in their careers. This reviewer can but think of a couple, if that. Continue reading “Cormac O Caoimh “Shiny Silver Things” (Independent, 2017)”
The latest from this Swedish alt-folk trio is a delightfully catchy little acoustic ballad.
Wayne Graham is a duo, Hayden and Kenny Miles, brothers from Whitesburg, South-East Kentucky, where their father founded a church and they backed the services on drums and bass. Wayne Graham is a composition of both their grandfather’s first names. Both were coal miners, as were their father and uncle, until the closure of the mines, following the strikes of the United Mines Workers in the 1970’s. Barbara Kopple’s Oscar winning film “Harlan County USA” depicts the area at the time – a reminder of the miners strikes in the UK. Continue reading “Wayne Graham “Mexico” (K & F Records, 2016)”