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Our latest posts
  • [ April 17, 2026 ] Something for the weekend: This is Lorelie “Where’s Your Love Now (Waxahatchee Version)” Tracks
  • [ April 17, 2026 ] Interview: The Del Fuegos on the joys of reforming Interviews
  • [ April 17, 2026 ] Remedy Motel “Counting Sand” Album Reviews
  • [ April 17, 2026 ] Book review: Richard Houghton “Iain Matthews: A People’s History” Book Reviews
  • [ April 17, 2026 ] Exclusive AUK Mini-Gig: Joseph Martone AUK Mini-Gigs
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Album Reviews

Album Reviews

Great Willow “Find Yourself in Los Angeles” (Sedan Zero Records 2017)

November 13, 2017 Dave Clarke 0
In their debut album Great Willow have managed to recreate and update the sound of the California canyons in the sixties. The reference is there to the 60’s sounds of (amongst others) the Byrds and the […]
Album Reviews

The Deep Dark Woods “Yarrow” Six Shooter Records, 2017

November 10, 2017 David Cowling 0
These are the same deep dark woods that the Handsome Family walk through combing for tales of mealy bugs or familial murder. On Fallen Leaves, Ryan Boldt does a passable impersonation of Brett with his sonorous voice […]
Album Reviews

J Roddy Walston & The Business “Destroyers of the Soft Life” (ATO Records, 2017)

November 10, 2017 David Cowling 0
Despite a passing resemblance to The Kings of Leon, Walston and his cohorts lay down a high-energy rollicking version of rock and roll. An unabashed, unashamed assault, always pushing melodies to the front, the guitars always […]
Album Reviews

Grant Earl Lavalley “From Lavalley Below” (Exit Stencil, 2017)

November 9, 2017 Mark Nenadic 0
Having a vinyl LP to review is a great treat, but such subjective fascinations won’t cloud any impartiality hereabouts. Much. Grant Earl Lavelly as a musical whole, pretty much sums up ‘brooding Americana’. An Ohio native, now […]
Album Reviews

Jon Boden “Afterglow” (Hudson Records, 2017)

November 9, 2017 Jonathan Aird 0
Jon Boden is of course a significant figure in the English folk scene – Spiers & Boden set a new benchmark for duo’s to meet, Bellowhead became a major label crossover band, and his legendary Folk […]

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our latest posts

Something for the weekend: This is Lorelie “Where’s Your Love Now (Waxahatchee Version)”

Tracks
April 17, 2026 0

Interview: The Del Fuegos on the joys of reforming

Interviews
April 17, 2026 0

Remedy Motel “Counting Sand”

Album Reviews
April 17, 2026 0

Book review: Richard Houghton “Iain Matthews: A People’s History”

Book Reviews
April 17, 2026 0

Exclusive AUK Mini-Gig: Joseph Martone

AUK Mini-Gigs
April 17, 2026 0
Tracks

Something for the weekend: This is Lorelie “Where’s Your Love Now (Waxahatchee Version)”

April 17, 2026 0
Well that’s it from us for this week. Regular readers will no doubt be sick to death now of me plugging this guy but his stuff is so good and as if any more proof was […]
Interviews

Interview: The Del Fuegos on the joys of reforming

April 17, 2026 0
Brothers Dan and Warren Zanes revel in the glory of performing live again after decades. The Del Fuegos are one of the pioneering US americana acts who burst onto the music scene in 1985 and were […]
Album Reviews

Remedy Motel “Counting Sand”

April 17, 2026 0
Utah band on a roll with their second ‘comeback’ album after a 15-year hiatus. You feel as though you should showcase this band in our Feature article More People Really Should Know About..…because, despite the fact […]

  • Something for the weekend: This is Lorelie “Where’s Your Love Now (Waxahatchee Version)”
  • Interview: The Del Fuegos on the joys of reforming
  • Remedy Motel “Counting Sand”
  • Book review: Richard Houghton “Iain Matthews: A People’s History”
  • Exclusive AUK Mini-Gig: Joseph Martone
  • The Taproots “Comedy Of Fools”
  • Latest AUK Podcast now available featuring The Sheepdogs in conversation
  • Tony Rice’s 1977 self-titled album returns on vinyl and digital for his 75th birthday
  • Feeding Leroy “Comes A Time” – not Neil
  • Video Premiere: Diyet & The Love Soldiers “Running Through the Great Divide” – a howling cry
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  • Martin Johnson: Thanks, Jeremy. Not only great, but pretty bottomless as well.
  • Martin Johnson: I’d forgotten about Blackfoot, Alison. There are not many bands who get one of their grandfathers to write them a…
  • Jeremy Courtnadge: Terrific topic. Billy Strings performed a whole set of 'Train' songs at Yuengling Center, Tampa, FL April 13th 2024. The…

Latest interviews

Interviews

Interview: The Del Fuegos on the joys of reforming

April 17, 2026 0
Brothers Dan and Warren Zanes revel in the glory of performing live again after decades. The Del Fuegos are one of the pioneering US americana acts who burst onto the music scene in 1985 and were […]
Band provided image
Interviews

Interview: Thomas Ådland, of Thomas & The Angry Hearts, on Language, Love and Identity

April 13, 2026 0
Two days before I heard them fill Martin’s Bar in Lillestrøm, I watched Thomas & The Angry Hearts make music in a wooden house surrounded by trees. In that studio, sound was built patiently: a harmony […]
Interviews

Interview: The Breath’s Stuart McCallum and Ríoghnach Connolly on collaborating with the Paraorchestra

April 7, 2026 0
How to achieve true musical Symbiosis. The Breath are guitarist Stuart McCallum and singer Ríoghnach Connolly, and they ensure that the song is always at the centre of their alt-folk sound. That sound is rich, reflecting […]

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Album Reviews

Jenny Don’t and the Spurs “Broken Hearted Blue”

August 9, 2024 0
A confident album from a band who know exactly who they are and showcase it with aplomb. When Jenny Connors was younger, she was given the moniker Jenny Don’t due to her “strong-willed and independent nature”, […]
Album Reviews

Zervas & Pepper “Wilderland” (Independent, 2017)

October 18, 2017 0
Cabin fever! Jack Kerouac spent 63 days working as a fire watch, on top of Desolation Peak in the North Cascade Mountains in 1956. Zervas & Pepper spent 28 days in a remote cabin in the […]
Album Reviews

Slow Parade “Hi-Fi LowLife” (Independent, 2020)

March 26, 2020 0
From the moment ‘Hi-Fi Lowlife’s opening track  ‘Waiting on the Smoke to Clear’ kicks off with a swirling blast of electronic fuzziness, only for a set of gently resonating piano chords to carve through the aural smog […]

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